wed 21/05/2025

book reviews and features

Catherine Airey: Confessions review - the crossroads we bear

India Lewis

Anglo-Irish author Catherine Airey’s first novel, Confessions, is a puzzle, a game of family secrets...

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Best of 2024: Books

theartsdesk

Billie Holiday sings again, Olivia Laing tends to her garden, and Biran Klaas takes a chance: our reviewers discuss their favourite...

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William J. Mann: Bogie & Bacall review - beyond the screen

John Carvill

What is it about Humphrey Bogart? Why does he still spark interest, still feel relevant, so many decades after his death? It’s a complex question and may be impossible to satisfactorily answer,...

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Jeff Young: Wild Twin review - a box of tricks

India Lewis

The writer, performer, and lecturer Jeff Young’s latest, Wild Twin, tells – ostensibly – the story of his barefoot, Beat-imitative journey through northern Europe in the 1980s. However,...

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Interview: rising star Chloe Savage on the Arctic, outer space, and igniting children's wonder for the unknown

Rachel Halliburton

How old were you when you first had an image of the Arctic? When you first had that image, what was it that most resonated? Was it its remoteness, the endless snow and ice, the polar bears? Did it...

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Jon Fosse: Morning and Evening review - after thoughts

Jack Barron

Jon Fosse talks a lot about thinking. He also thinks – hard – about talking. His prolific and award-winning career in poetry, prose, and drama, might be said, in fact, to unfold a digressive...

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Jean-Baptiste Fressoz: More and More and More review - fuel for thought

Jon Turney

If you are bothered about climate change – and who isn’t? – you’ll soon come...

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Alan Hollinghurst: Our Evenings review - a gift that keeps on giving

Hugh Barnes

In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and...

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Jonathan Coe: The Proof of My Innocence review - a whodunnit with a difference

Bernard Hughes

Anyone who has been on a British train in the last ten years will have been irritated to distraction by the inane and ubiquitous “See it, say it, sorted” announcement that punctuates every journey...

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theartsdesk Q&A: Anna Bogutskaya on her new book about the past decade of horror cinema

Harry Thorfinn-

You may have heard the phrase “elevated horror” being used to describe horror films that lean more toward arthouse cinema, favouring tension and psychological turmoil over jump-...

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It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Mission: Impossible - The Final Reckoning review - can this...

Whether it is or isn’t the final Mission: Impossible film, there’s a distinct fin-de-siècle feel about this eighth instalment, and not...

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With French baroque opera all but banished from the UK’s major...

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Stereolab always walked a knife edge between deadly serious and dead silly. Their sound was constructed around the sort of reference points –...

The Fifth Step, Soho Place review - wickedly funny two-hande...

The plays of David Ireland have a tendency to build to an explosion, after long stretches of caustic dialogue and very funny banter....

Josefowicz, LSO, Mälkki, Barbican review - two old favourite...

Every now and then a concert programme comes along that fits like a bespoke suit, and this one could have been specially designed for me. Two...

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Nick Mohammed invented his Mr Swallow character – camp, lisping, with an inflated ego and the mistaken belief that he has creative...

The Great Escape Festival 2025, Brighton review - a feast of...

Photographer Finetime and I have our first pints outside Dalton’s, a bar on...

Parsifal, Glyndebourne review - the music flies up, the dram...

There’s a grail, but it doesn't glow in a mundane if perverted Christian ritual. Three of the main characters have young and old actor versions...

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