fri 29/03/2024

Jon Turney

Articles By Jon Turney

Tom Chatfield: Wise Animals review - on the changing world

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Caspar Henderson: A Book of Noises - Notes on the Auraculous review - a call to ears

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Helen Czerski: Blue Machine review - how the ocean works

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Matthew Shindell: For the Love of Mars: A Human History of the Red Planet review - a world of possibility

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Jonathan Kennedy: Pathogenesis - How Germs Made History review - a return to the infections that formed us

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Sally Adee: We Are Electric review - currents that run through us all

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Science Fiction: Voyage to the Edge of the Imagination, Science Museum review - travel to a galaxy not so far away

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Philip Ball: The Book of Minds review - thinking about the box

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Thomas Halliday: Otherlands review - diving into the deep past

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Mark Bould: The Anthropocene Unconscious review - climate anxiety is written everywhere

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Ananyo Bhattacharya: The Man from the Future review - the man, the maths, the brain

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Nichola Raihani: The Social Instinct review - the habits of co-operation

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Michael Spitzer: The Musical Human review - charting our age-old relationship with music

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MJ the Musical, Prince Edward Theatre review - glitzy jukebo...

In a secret chamber somewhere, the producers of ...

Annie Jacobsen: Nuclear War: A Scenario review - on the inco...

"[A]n unimaginably beautiful day": this was how Kikue Shiota described the morning of the 6th of August, 1945, in Hiroshima. The day was soon to...

The Dream of a Ridiculous Man, Marylebone Theatre review - f...

Like all great literature, Fyodor Dostoevsky’s final, eccentric, playfully wondrous short story seems to have been written just for us – across...

Bach's Easter Oratorio, OAE, Whelan, QEH review - the j...

Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter...

Album: Jane Weaver - Love In Constant Spectacle

“Motif,” Love In Constant Spectacle’s fourth track, is the closest Jane Weaver has come in over a decade to the folk influences embraced...

First Person: author-turned-actor Lydia Higman on a play tha...

I first read Anne Gunter’s story about five years ago, when I was in my first year of university at Oxford, little knowing it would over time lead...

The Origin of Evil review - Laure Calamy stars in gripping F...

A young woman (Laure Calamy; Call my Agent!; Full Time; Her Way) is trying to pluck up the courage to call her...

Foam, Finborough Theatre review - fascism and f*cking in a G...

In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet...

Album: Ride - Interplay

What a time to be alive it is for fans of late Eighties, early Nineties ...