A Turner Prize first for sound artist | reviews, news & interviews
A Turner Prize first for sound artist
A Turner Prize first for sound artist
Tuesday, 07 December 2010
Susan Philipsz is the first sound artist to win the Turner Prize
Dexter Dalwood appeared to be an early favourite, while many wished Angela de la Cruz, who had suffered a debilitating stroke five years ago, a deserved comeback triumph (though the artist who makes evocative “sculpture/paintings” of crumpled canvases did win the prestigious £35,000 Paul Hamlyn Award last month). Few, apart from this reviewer, appeared to be backing the Otolith Group. But in the end, it was 45-year-old Glaswegian artist Susan Philipsz, with recordings of three different versions of a traditional Scottish ballad, who bagged the Turner Prize last night.
Dexter Dalwood appeared to be an early favourite, while many wished Angela de la Cruz, who had suffered a debilitating stroke five years ago, a deserved comeback triumph (though the artist who makes evocative “sculpture/paintings” of crumpled canvases did win the prestigious £35,000 Paul Hamlyn Award last month). Few, apart from this reviewer, appeared to be backing the Otolith Group. But in the end, it was 45-year-old Glaswegian artist Susan Philipsz, with recordings of three different versions of a traditional Scottish ballad, who bagged the Turner Prize last night.
Philipsz's work plays easily on the ears and the emotions, but it lacks the necessary traction for an enduring work of art
Explore topics
Share this article
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more Visual arts
Help to give theartsdesk a future!
Support our GoFundMe appeal
ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime
Despite anticipating disaster, this mesmerising voyage is full of hope
Vanessa Bell, MK Gallery review - diving into and out of abstraction
A variation of styles as the Bloomsbury artist breaks free from Victorian mores
Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries
Two artists, 50 years apart, invite audience participation
Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended
The artist who refused to grow up
Monet and London, Courtauld Gallery review - utterly sublime smog
Never has pollution looked so compellingly beautiful
Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor
A career in art that starts high and ends low
Van Gogh: Poets & Lovers, National Gallery review - passions translated into paint
Turmoil made manifest
Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rage
Fifty years of political protest by a master craftsman
Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with history
Dunked in the sea to give them a patina of age, sculptures that feel timeless
Bill Viola (1951-2024) - a personal tribute
Video art and the transcendent
In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all
A glimpse of important Ukrainian artists
Comments
...