theartsdesk in Fort Lauderdale: Norman Rockwell, the American Friend | reviews, news & interviews
theartsdesk in Fort Lauderdale: Norman Rockwell, the American Friend
theartsdesk in Fort Lauderdale: Norman Rockwell, the American Friend
An exhibition reveals there's much more to Rockwell's art than comforting nostalgia
Sunday, 24 January 2010
Norman Rockwell: 'The Problem We All Live With'All images courtesy of the Norman Rockwell Family Agency © 2010 The Norman Rockwell Family Entities
Norman Rockwell (1894-1978) may be the great idealiser of American smalltown life, but many of his paintings took their cues from Dickens, and they thus have an English tang. None more so than Merrie Christmas (pictured below), which Rockwell painted for the cover of 7 December 1929 edition of the Saturday Evening Post: Tony Weller, the philosophising coachman father of Mr Pickwick’s manservant Sam, is shown cracking his whip with one hand and doffing his holly-spiked hat with the other.
Norman Rockwell (1894-1978) may be the great idealiser of American smalltown life, but many of his paintings took their cues from Dickens, and they thus have an English tang. None more so than Merrie Christmas (pictured below), which Rockwell painted for the cover of 7 December 1929 edition of the Saturday Evening Post: Tony Weller, the philosophising coachman father of Mr Pickwick’s manservant Sam, is shown cracking his whip with one hand and doffing his holly-spiked hat with the other.
Stirred by the Civil Rights movement and aware his work was overtly WASPish, Rockwell sought to redress the balance
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