Visual Arts Reviews
Matisse in the Studio, Royal Academy review - a fascinating compilationFriday, 04 August 2017
A 19th-century silver and wood pot in which to make chocolate, pertly graceful; 17th-century blue and white Delftware; a Chinese calligraphy panel; a 19th-century carved wooden god from the Ivory Coast; a bronze and gold earth goddess from South-East Asia. These are but a tiny sampling from the multitude of objects with which Matisse surrounded himself in his studio(s). Read more... |
Trajal Harrell: Hoochie Koochie, Barbican review - flamboyant and mesmerisingSaturday, 22 July 2017
Two performers rush down the stairs and sweep through the audience, their designer outfits splaying out as they speed elegantly around the gallery and disappear as quickly as they came. Thus begins a series of performances that are an intriguing mix of flamboyant narcissism and minimalist restraint. Read more... |
Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delightWednesday, 19 July 2017
Rose Finn-Kelcey was one of the most interesting and original artists of her generation. Yet when she died in 2014 at the age of 69, she could have disappeared from view if she not spent the last few years of her life assembling a monograph about her work. Read more... |
The Encounter, National Portrait Gallery review - dazzlingly evocative drawingsFriday, 14 July 2017
As a line flows or falters, registering each slight change in pressure, pause, or occasional reworking, it seems to offer a glimpse into the mind of the artist at work. The line is the instrument of the artist’s eye, the often unpolished, provisional nature of a drawing offering a spark and freshness that tends to gradually lessen as a composition is rethought and worked up in paint. Read more... |
theartsdesk in Antwerp: Richard Deacon says nothingTuesday, 11 July 2017
Something like a parked zeppelin sits on three mirrored legs on a museum lawn in Belgium. It’s a cigar-shaped steel fabrication that, were it to float free of its three legs, could also pass for a UFO. But given the context - a sculpture park outside Antwerp - we can rest easy. Never Mind is a work of art by Richard Deacon. Read more... |
theartsdesk at Les Rencontres d'Arles: breadth and depth at the veteran photo festivalSaturday, 08 July 2017
Now in its 48th year the veteran photography festival is in better shape than ever. You can walk through the French sunshine to more than 20 exhibitions, hear a talk, meet the snappers and shop on the fringe. Read more... |
The Exhibition Road Quarter review, V&A - an intelligent and much needed expansionMonday, 03 July 2017
Oh those Victorians! Hail Prince Albert whose far-sighted ambition led to Albertopolis, embracing museums, galleries, universities and the Royal Albert Hall. Read more... |
Sargent, Dulwich Picture Gallery review - wonders in watercolourThursday, 29 June 2017
This sparkling display of some four score watercolours from the first decade of the last century throw an unfamiliar light on the artistry of John Singer Sargent (1856-1925), the last great swagger portrait painter in the western tradition. Read more... |
Portraying a Nation, Tate Liverpool review – an inspired juxtapositionMonday, 26 June 2017
Portraying a Nation juxtaposes photographs by August Sander with paintings by Otto Dix. It's an inspired idea as both artists wanted to hold up a mirror to German society during a time of extreme change. Read more... |
National Gallery of Ireland review - bigger and betterThursday, 22 June 2017
The marvellous National Gallery of Ireland, founded in the 1860s, has opened its doors to its brilliantly revamped, updated and expanded galleries. As a spectacular bonus in its opening summer, Vermeer and Masters of Genre Painting reposes in the enfilade of the newly re-done permanent galleries for temporary exhibitions. Read more... |
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