sun 23/02/2025

Visual Arts Reviews

Fahrelnissa Zeid, Tate Modern review - rediscovering a forgotten genius

Sarah Kent

I can’t pretend to like the work of Fahrelnissa Zeid, but she was clearly an exceptional woman and deserves to be honoured with a retrospective. She led a privileged life that spanned most of the 20th century; born in Istanbul in 1901 into a prominent Ottoman family, many of whom were involved in the arts, she died in 1991.

Read more...

A Handful of Dust, Whitechapel Gallery review - grime does pay

Sarah Kent

Why is dust so fascinating yet, at the same time, so repellent? Maybe the fear of choking to death in a dust storm or being buried alive in fine sand provokes a visceral response to it. My current obsession with dust comes from having builders in my home over the last seven months.

Read more...

Michelangelo: Love and Death review - how to diminish a colossus

Alison Cole

As perhaps the greatest artist there has ever been – and as one of the most fascinating and complex personalities of his era – Michelangelo should be a thrilling subject for serious as well as dramatic cinematic documentary treatment.

Read more...

Grayson Perry: The Most Popular Art Exhibition Ever! Serpentine Gallery

Sarah Kent

The most popular exhibition of a living artist ever held at the Tate was David Hockney’s recent retrospective, which attracted 478,082 visitors.

Read more...

The Discovery of Mondrian review - the most comprehensive survey ever

Florence Hallett

Standing inside the Gemeentemuseum’s life-size reconstruction of Mondrian’s Paris studio, the painter’s reputation as an austere recluse seems well-deserved.

Read more...

Jean Arp: Poetry of Forms review - subversive pioneer honoured in Holland

Alison Cole

This summer the wonderful Kröller-Möller museum in Otterlo hosts the first major Dutch retrospective of the works of Hans (Jean) Arp since 1960 – an exhibition that will travel in a marginally smaller version to Margate’s Turner Contemporary later this year.

Read more...

Hokusai: Beyond the Great Wave, British Museum

Florence Hallett

With its striking design, characteristically restricted palette and fluent use of line, Hokusai’s The Great Wave, 1831, is one of the world’s most recognisable images, encapsulating western ideas about Japanese art.

Read more...

Highlights from Photo London 2017 - virtual reality meets vintage treasure

Bill Knight

At heart, Photo London is a selling fair for expensive photographic prints. You wander through the steamy labyrinth of Somerset House from gallery show to gallery show surrounded by black-clad snapperati, assaulted on all sides by images until lost in photography.

Read more...

Visual art at Brighton Festival - disturbing, playful, but ultimately rudderless

Mark Sheerin

As befits a festival with a spoken word artist as its guest curator, storytelling is at the heart of the visual arts offer in the 2017 Brighton Festival. It is not known if performance poet Kate Tempest had a hand in commissioning these four shows, but she can probably relate to the four artists in town right now.

Read more...

57th Venice Biennale review - riveting and bewildering

Alison Cole

Riveting and bewildering, the 57th Venice Biennale has just opened its myriad doors to the public with several thousand exhibits spread across Venice and its islands.

Read more...

Pages

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

A Thousand Blows, Disney+ review - Peaky Blinders comes to R...

Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our screens with Yellowstone...

Hinds, St Lukes and the Winged Ox, Glasgow review - Spanish...

Hinds don't believe in God. They declared this as they surveyed the converted church that is St Luke's, and given the past few years you can...

Music Reissues Weekly: Diggin' For Gold Volume 14 - Nor...

In 1964, the Norwegian division of Philips Records began issuing singles labelled “Bergen Beat.” The picture sleeves of 45s by Davy Dean and the...

The Monkey review - a grisly wind-up

Longlegs’ trapdoor ending snapped tight on its clammy Lynchian mood, reconfiguring its Silence of the Lambs serial-killer yarn...

Richard II, Bridge Theatre review - handsomely mounted, emot...

Screen stardom is generally anointed at the box office so it's a very real delight to find the fast-rising Jonathan Bailey taking time out from...

Backstroke, Donmar Warehouse review - a complex journey thro...

The theatre director Anna Mackmin has...

Donald Rodney: Visceral Canker, Whitechapel Gallery review -...

Donald Rodney’s most moving work is a photograph titled In the House of My Father, 1997 (main picture). Nestling in the...

Album: Heather Nova - Breath and Air

With her 13th studio album, Heather Nova delivers what you might expect from one of the 90s' most distinctive alternative voices – though longtime...