Visual Arts Reviews
Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decorWednesday, 25 September 2024
Michael Craig-Martin was the most playful and provocative of the conceptual artists. His early sculptures are like visual puns, a play on the laws of nature. On the Table, 1970 (pictured below right), for instance, appears to defy gravity. Four buckets filled with water stand on a table; so far so ordinary. But the table has no legs and is suspended from the ceiling by ropes and pulleys. Read more... |
Van Gogh: Poets & Lovers, National Gallery review - passions translated into paintSaturday, 14 September 2024
Van Gogh: Poets & Lovers includes many of his best known pictures and, amazingly, it is the first exhibition the National Gallery has devoted to this much loved artist. Focusing mainly on paintings and drawings made in the two years he lived in Provence (1888-1890), it charts the emotional highs and lows of his stay in the Yellow House in Arles, and the times he spent in Read more... |
Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rageTuesday, 30 July 2024
Peter Kennard: Archive of Dissent at the Whitechapel Gallery includes many of the artists’s most iconic political photomontages. Read more... |
Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with historyMonday, 29 July 2024
It’s been a long time since the Whitechapel Gallery has presented three seriously good exhibitions at the same time. Already reviewed are Gavin Jantjes’ paintings on show in the main gallery. He is now joined, in gallery 2, by Dominique White, winner of the Max Mara Art Prize for Women and in galleries 5, 6 & 7, by Peter Kennard. Read more... |
In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after allWednesday, 03 July 2024
Ukraine’s history is complex and often bitter. The territory has been endlessly fought over, divided, annexed and occupied. From 1917-20 it enjoyed a brief period of independence before being swallowed up once more by the Soviet Union after a vicious three year war – an example that Vladimir Putin is copying with his monstrous invasion. Read more... |
Francis Alÿs: Ricochets, Barbican review - fun for the kids, yet I was moved to tearsFriday, 28 June 2024
Belgian artist, Francis Alÿs has filled the Barbican Art Gallery with films of children playing games the world over. Read more... |
Gavin Jantjes: To Be Free, Whitechapel Gallery review - a sweet and sour response to horrific circumstancesWednesday, 19 June 2024
Born in Cape Town in 1948, Gavin Jantjes grew up under apartheid. He openly criticised the regime in his work and, forced into exile, was granted political asylum in Germany in 1973. Read more... |
Laura Aldridge / Andrew Sim, Jupiter Artland, Edinburgh review - lightness and joyThursday, 06 June 2024
Two shows at Jupiter Artland, one in a barn, one in a ballroom, showcase two Scottish artists, whose work shares a sense of lightness and joy. The sun was out, there was happiness all round. Laura Aldridge had painted the walls of her barn space a buttercup yellow and applied translucent film to the windows so that to spend time in her bijou show was like being in a solarium. Read more... |
Judy Chicago: Revelations, Serpentine Gallery review - art designed to change the worldFriday, 31 May 2024
Being a successful artist is not Judy Chicago’s primary goal. She abandoned that ambition six decades ago when the Los Angeles art world greeted her with hostility. Now she’s having the last laugh, though. At 84 she is being heaped with accolades, including induction into America’s National Women's Hall of Fame, and is enjoying worldwide celebrity. Read more... |
Now You See Us: Women Artists in Britain 1520-1920, Tate Britain review - a triumphTuesday, 28 May 2024
Tate Britain’s Now You See Us could be the most important exhibition you’ll ever see. Spanning 400 hundred years, this overview of women artists in Britain destroys the myth that female talent is an exotic anomaly. Read more... |
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