Mona Hatoum: Bunker, White Cube Mason's Yard | reviews, news & interviews
Mona Hatoum: Bunker, White Cube Mason's Yard
Mona Hatoum: Bunker, White Cube Mason's Yard
Blasted cityscapes from the Beirut-born conceptualist
Wednesday, 02 March 2011
'Bunker': 'The cuboid Modernist structures spattered with bullet hole-like borings, gougings and serrations create a brutally ominous cityscape' White Cube
The latest exhibition from Beirut-born, sometime Turner Prize-nominee Mona Hatoum – best known for sending a camera through her inner tubes and projecting the results – explores themes of displacement and geographical and political tension. I know this because since I signed up to review it a fortnight ago, invites and reminders concerning this exhibition "exploring themes of displacement and geographical and political tension" have been hitting my mailbox with hectoring insistence.
The latest exhibition from Beirut-born, sometime Turner Prize-nominee Mona Hatoum – best known for sending a camera through her inner tubes and projecting the results – explores themes of displacement and geographical and political tension. I know this because since I signed up to review it a fortnight ago, invites and reminders concerning this exhibition "exploring themes of displacement and geographical and political tension" have been hitting my mailbox with hectoring insistence.
Too much explanation has squeezed the sense of poetry, the possibility of surprise
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