Frieze Week: Art, Parties, People | reviews, news & interviews
Frieze Week: Art, Parties, People
Frieze Week: Art, Parties, People
London revolves around the art world
Friday, 16 October 2009
If there is one thing which I should impress upon you about the Frieze Art Fair, it is do not believe what anyone else says (a good principle for reviewing generally): go and see it yourself this weekend. It is a great day out: Regent’s Park is beautiful, you can see a tremendous amount of good and not-so-good contemporary art, you can buy an expensive coffee and contemplate your fellow fair-goers. Frieze is the artistic cultural phenomenon of our time and it is worth seeing what the fuss (and there is fuss) is about.
If there is one thing which I should impress upon you about the Frieze Art Fair, it is do not believe what anyone else says (a good principle for reviewing generally): go and see it yourself this weekend. It is a great day out: Regent’s Park is beautiful, you can see a tremendous amount of good and not-so-good contemporary art, you can buy an expensive coffee and contemplate your fellow fair-goers. Frieze is the artistic cultural phenomenon of our time and it is worth seeing what the fuss (and there is fuss) is about.
more Visual arts
Brancusi, Pompidou Centre, Paris review - founding father of modernist sculpture
Uplifting quest for form and essence
Expressionists: Kandinsky, Münter and the Blue Rider, Tate Modern review - a missed opportunity
Wonderful paintings, but only half the story
Eye to Eye: Homage to Ernst Scheidegger, MASI Lugano review - era-defining artist portraits
One of Switzerland's greatest photographers celebrated with a major retrospective
Stephen review - a breathtakingly good first feature by a multi-media artist
Melanie Manchot's debut is strikingly intelligent and compelling
Fantastic Machine review - photography's story from one camera to 45 billion
Love it or hate it, the photographic image has ensnared us all
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delight
Weighty subject matter treated with the lightest of touch
Jane Harris: Ellipse, Frac Nouvelle-Aquitaine MÉCA, Bordeaux review - ovals to the fore
Persistence and conviction in the works of the late English painter
Sargent and Fashion, Tate Britain review - portraiture as a performance
London’s elite posing dressed up to the nines
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fiction
An exhibition that begs the question 'What and where is home?'
Yoko Ono: Music of the Mind, Tate Modern review - a fitting celebration of the early years
Acknowledgement as a major avant garde artist comes at 90
Unravel: The Power and Politics of Textiles in Art, Barbican review - the fabric of dissent
An ambitious exploration of a neglected medium
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun
Seriously good sculptures presented as little more than playthings or jokes
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