London galleries
Best of 2020: Visual ArtsTuesday, 29 December 2020
Unhappy as it is to be ending the year with museums and galleries closed, 2020 has had its triumphs, and there is plenty to look forward to in 2021. Two much anticipated exhibitions at the National Gallery were delayed and subject to closures and... Read more... |
The Best Exhibitions in LondonThursday, 30 January 2020
Picasso and Paper, Royal Academy ★★★ A fascinating subject that proves too unwieldy for a single exhibition. Until 13 Apr Rembrandt's Light, Dulwich Picture Gallery ★★★★ A novel collaboration between curators and cinematographer Peter... Read more... |
Best of 2019: Visual ArtsTuesday, 31 December 2019
Notable anniversaries provided the ballast for this year’s raft of exhibitions; none was dead weight, though, with shows dedicated to Rembrandt, Leonardo and Ruskin among the most original and exhilarating of 2019’s offerings. Happily, a number of... Read more... |
Lumiere London review - London in a different lightSaturday, 20 January 2018
It seems they’re having trouble with the lights. Thirty-five past five and they’re not yet on. “Typical,” laughs a woman, surveying the huddle of hi-vis chaperones. Palm fronds wave in the wind, suits leave work. St James’s Square slowly fills with... Read more... |
Picasso: Minotaurs and Matadors, GagosianThursday, 11 May 2017
At 93, Picasso’s revered biographer, Sir John Richardson, has curated a vital new celebration of the artist’s life and work, focusing on one of his most enduring and delightful subjects, the Minotaur. The exhibition at the Gagosian in fact charts... Read more... |
Best of 2016: ArtThursday, 29 December 2016
Before we consign this miserable year to history, there are a few good bits to be salvaged; in fact, for the visual arts 2016 has been marked by renewal and regeneration, with a clutch of newish museum directors getting into their stride, and... Read more... |
The Excruciating Power of the Parental Legacy: My First Foray Into CuratingSaturday, 04 February 2012
Remember when you were out playing football with your mates, and your dad pulled up beside the pitch in a slightly too flashy car and told you it was time for tea or – even worse – tried to join in the game – and how you died inside. Actually, I don... Read more... |
theartsdesk Debate: But What Does It Mean? + Can Art Still Shock?Friday, 20 January 2012
The latest in the live events staged by theartsdesk aims to shed light on controversies and myths about the value and purpose of contemporary visual art. Taking place at the heart of the London Art Fair, where more than 100 galleries will present... Read more... |
2011: Mariinsky, Manon, and a German DaneSunday, 01 January 2012
Highlights of the year are always interesting. Things you loved at the time do, sometimes surprisingly, fade very quickly. I really enjoyed the Gabriel Orozco retrospective at the Tate: I thought it inventive and exciting. But now I have hardly any... Read more... |
The Mystery of Appearance, Haunch of VenisonMonday, 19 December 2011
Here be wonderful images, in an anthology of two score of paintings and drawings from the 1950s through the mid-Nineties by 10 artists whose shared interests only sharpen their individuality. Francis Bacon is the autodidact in the group, which... Read more... |
Lygia Pape: Magnetised Space, Serpentine GalleryWednesday, 14 December 2011
The Serpentine’s north gallery has been transformed into a magical space (main picture). Strung from floor to ceiling of the darkened room, shafts of copper wire glimmer in subdued lighting like sunbeams, or the searchlights that scanned the night... Read more... |
Anselm Kiefer: Il Mistero delle Cattedrali, White Cube BermondseyTuesday, 13 December 2011
That Anselm Kiefer is one of the great elder statesmen of contemporary art goes without saying. His work’s precise relevance to now is less clear. In the early 1980s, when he sprang to fame as part of the New Image Painting phenomenon (with Schnabel... Read more... |
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