Darren Almond: The Principle of Moments, White Cube Mason's Yard

Darren Almond: The Principle of Moments, White Cube Mason's Yard | reviews, news & interviews

Darren Almond: The Principle of Moments, White Cube Mason's Yard

A romantic visionary laced into the tight corset of artistic decorum

by Sarah KentFriday, 10 September 2010

Norilsk: 'The most northerly city in the world and an Arctic wasteland where snow storms rage 130 days of the year'

Darren Almond’s ongoing fascination with far-flung places where extreme weather conditions prevail provides the inspiration for his current show at White Cube. The Principle of Moments consists of over 10,000 tiny photographs cataloguing the ever-changing weather of the Faroe Islands and a three-screen installation of videos titled Anthropocene: The Prelude, filmed near the Siberian town of Norilsk, the most northerly city in the world.

Ungovernable phenomena are tamed and stifled by the uniformity of repetitive elegance

Explore topics

Share this article

The future of Arts Journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more Visual arts

Help to give theartsdesk a future! Support our GoFundMe appeal

ARK: United States V by Laurie Anderson, Aviva Studios, Manchester review - a vessel for the thoughts and imaginings of a lifetime Despite anticipating disaster, this mesmerising voyage is full of hope

Vanessa Bell, MK Gallery review - diving into and out of abstraction A variation of styles as the Bloomsbury artist breaks free from Victorian mores

Lygia Clark: The I and the You, Sonia Boyce: An Awkward Relation, Whitechapel Gallery review - breaking boundaries Two artists, 50 years apart, invite audience participation

Mike Kelley: Ghost and Spirit, Tate Modern review - adolescent angst indefinitely extended The artist who refused to grow up

Monet and London, Courtauld Gallery review - utterly sublime smog Never has pollution looked so compellingly beautiful

Michael Craig-Martin, Royal Academy review - from clever conceptual art to digital decor A career in art that starts high and ends low

Van Gogh: Poets & Lovers, National Gallery review - passions translated into paint Turmoil made manifest

Peter Kennard: Archive of Dissent, Whitechapel Gallery review - photomontages sizzling with rage Fifty years of political protest by a master craftsman

Dominique White: Deadweight, Whitechapel Gallery review - sculptures that seem freighted with history Dunked in the sea to give them a patina of age, sculptures that feel timeless

Bill Viola (1951-2024) - a personal tribute Video art and the transcendent

In the Eye of the Storm: Modernism in Ukraine 1900-1930s, Royal Academy review - famous avant-garde Russian artists who weren't Russian after all A glimpse of important Ukrainian artists

Follow @theartsdesk