Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Art Gallery: Pordenone Montanari, An Italian Discovery

A reclusive painter comes out into the light. Is he a lost genius?

share this article

Pordenone Montenari: 'Il Pittore a la modella' (1978)
Pordenone Montenari: 'Il Pittore a la modella' (1978)
Italian Cultural Institute

Our culture is hungry for stories of buried treasure, for the lost archive. So when something of startling value is brought blinking into the light after many years, it answers a romantic urge. Of course it doesn’t happen much any more, not in a digitised e-culture in which, like Puck in A Midsummer Night’s Dream, you really can put a girdle round the Earth in no time at all. Something interesting has just cropped up in Italy, mind.

An artist called Pordenone Montanari put his house in Piedmont on sale. The name won’t mean anything. Montanari, now in his seventies, had been exhibited only once in his long life, when the entire show was bought by three Italian banks. He was reportedly so dispirited by the commodification of his work that he decided to work entirely outside the commercial milieu. With his wife he retreated behind the facade of a three-storey villa, deep in the countryside of Biella, and worked. He became such a recluse that the council had no idea anyone was living there.

202PORDENONE.MONTANARI._103After 18 years the house and gardens became too big to manage and he sold it to an Indian businessman who was married to an Italian and lived in the area. The house was covered with murals, the gardens bulging with sculptures (pictured right). The buyer was overwhelmed enough by the work to buy Montanari’s entire archive with the help of outside investment. Some of the vast collection is now on display at the Italian Cultural Institute in London. Hermetically locked away from contact with contemporary developments, Montanari’s figurative style betrays elements of older influences: Picasso, Chagall, Matisse, perhaps a slice of Bacon. Is he, as some are alleging, a lost genius? See what you make of the selection in this gallery.

  1. Figura in piedi con tavola apparecchiata (1993)
  2. Colline a Kalda (1990)
  3. Ritratto di Signora (1989)
  4. Ritratto della Signora Valvolini (1989)
  5. Valentino come giocatore di bilardo (1989)
  6. Le Due Cuginette (2000)
  7. Il Balcone (2007)
  8. Figura in piedi con tavola apparecchiata (1993)
  9. Affresco

[bg|/ART/jasper_rees/Montanari]

rating

0

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more visual arts

Ritualistic performances and evocations of fertility goddesses
The mood is blue, but profundity is in short supply
Much-appreciated words of commendation from readers and the cultural community