sat 11/10/2025

stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

Tamerlano, The Grange Festival review - Handel brilliant in parts, but you have to wait for the drama

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Siegfried, Longborough Festival review - happily concept-free but with 'Good Ideas'

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Jenůfa, Welsh National Opera review - powerful drama with a kitsch tailpiece

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Don Giovanni, Welsh National Opera review - fine young cast let down by unhelpful conducting

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Madam Butterfly, Welsh National Opera review - decent performance, disagreeable context

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The Barber of Seville, Welsh National Opera review - back to work in an old banger

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The Cunning Little Vixen, Longborough Festival Opera review - life, death and the menopause in the forest

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theartsdesk at the Three Choirs Festival - Purcell, Gabriel Jackson and Duruflé

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Die Walküre, Longborough Festival Opera review - heroic defiance of farcical constraints

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Pagliacci, Opera Ensemble, Longborough review - stripped down but live

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Brecon Baroque, Podger, Brecon Cathedral online review - Bach recoloured

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Denis and Katya, Music Theatre Wales / Uproar, Rafferty review - disturbing the untroubled monotony of South Wales music

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Les vêpres siciliennes, Welsh National Opera review - spectacular, silly, but some great music

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Podger, Brecon Baroque, Hollingworth, Brecon Cathedral review - Bohemian footnotes yield the extraordinary

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The Cunning Little Vixen, Welsh National Opera review - family night in the forest

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Rigoletto, Welsh National Opera review - same old update, fine performance

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'We are bowled over!' Thank you for your messages... ...
Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...

In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...

The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...