fri 07/02/2025

stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

theartsdesk at the Three Choirs Festival - Purcell, Gabriel Jackson and Duruflé

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Die Walküre, Longborough Festival Opera review - heroic defiance of farcical constraints

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Pagliacci, Opera Ensemble, Longborough review - stripped down but live

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Brecon Baroque, Podger, Brecon Cathedral online review - Bach recoloured

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Denis and Katya, Music Theatre Wales / Uproar, Rafferty review - disturbing the untroubled monotony of South Wales music

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Les vêpres siciliennes, Welsh National Opera review - spectacular, silly, but some great music

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Podger, Brecon Baroque, Hollingworth, Brecon Cathedral review - Bohemian footnotes yield the extraordinary

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The Cunning Little Vixen, Welsh National Opera review - family night in the forest

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Rigoletto, Welsh National Opera review - same old update, fine performance

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Carmen, Welsh National Opera review - intermittent brilliance in a gloomy, unclear environment

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theartsdesk at the Three Choirs Festival - the beautiful and the damned

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Don Giovanni, Longborough Festival Opera review - Mozart in the urinal

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The Turn of the Screw, Garsington Opera review - superb music drama on an open stage

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Rusalka, Glyndebourne Festival review - away with the distressed fairies

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Brundibár, Welsh National Opera review - bittersweet children's opera from the ghetto

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Das Rheingold, Longborough Festival Opera review - more Wagnerian excellence in a Gloucestershire barn

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Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Album: Rats on Rafts - Deep Below

Deep Below’s first track is titled “Hibernation.” “A winter breeze blows through my mind,” intones a colourless, dispirited male voice....

Bring Them Down review - ramming it home in the west of Irel...

“You know what they say: where there’s livestock, there’s dead stock,” says Jack (a brilliant Barry Keoghan). Never a truer word. There’s an awful...

First Person: writer Lauren Mooney on bringing bodies togeth...

It started with a Guardian long-read. I’m ashamed to admit it since so many shows could say the same, but that was the beginning.

It was the...

The Marriage of Figaro, English National Opera review - long...

Who’s in and who’s not – on the secret, the joke, the relationship, the family, the club? That’s the fulcrum of Joe Hill-Gibbins’ ingeniously...

September 5 review - gripping real-life thriller

There’s a common understanding about journalists, especially ones at the top of their game, that they’re flying by the seat of their pants –...

Oedipus, Old Vic review - disappointing leads in a productio...

The opening scene of the Old Vic’s Oedipus is dominated by a giant backdrop of a skull-like face, eyes shut and rock-like. It...

Album: Hifi Sean & David McAlmont - Twilight

It was only six months ago that Hifi Sean and David McAlmont released their Daylight album. A fine disc of summery dance pop that was...