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stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

Madama Butterfly, Glyndebourne review - perverse staging, outstanding cast

Sunday, 20 May 2018 Read more...

BBC NOW, Alexandre Bloch, Hoddinott Hall, Cardiff review - tonal music in an avant-garde sense

Saturday, 12 May 2018 Read more...

Stephen Walsh's Debussy - A Painter in Sound - extract

Monday, 05 March 2018 Read more...

Tosca, Welsh National Opera review - ticking the traditionalist boxes

Saturday, 10 February 2018 Read more...

La forza del destino, Welsh National Opera review - rambling drama, fine music

Saturday, 03 February 2018 Read more...

The World's Wife, Wales Millennium Centre, Weston Studio review - the power and frustration behind the throne

Monday, 16 October 2017 Read more...

From the House of the Dead, Welsh National Opera review - elderly staging, music comes up fresh

Monday, 09 October 2017 Read more...

Khovanshchina/Eugene Onegin, Welsh National Opera review - Russian revivals strong and weak

Monday, 02 October 2017 Read more...

The Magic Flute, Longborough Festival review - sparkling and moving

Friday, 14 July 2017 Read more...

Fidelio, Longborough Festival review - death to the concept of concepts

Monday, 26 June 2017 Read more...

Pelléas et Mélisande, Garsington Opera review - brilliant but frustrating

Saturday, 17 June 2017 Read more...

Der Rosenkavalier, Welsh National Opera review - hard to imagine a stronger cast

Tuesday, 13 June 2017 Read more...

Tristan und Isolde, Longborough Festival

Friday, 09 June 2017 Read more...

L'Orfeo, EBS, Gardiner, Colston Hall, Bristol

Monday, 29 May 2017 Read more...

Y Tŵr, MTW, Sherman Theatre, Cardiff

Saturday, 20 May 2017 Read more...

L'Incoronazione di Poppea, EBS, Gardiner, Colston Hall, Bristol

Tuesday, 09 May 2017 Read more...

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In this strangely dreary recreation of 11th century history, it’s not just grim oop north, it’s grim everywhere. King & Conqueror...

Juniper Blood, Donmar Warehouse review - where ideas and ide...

Playwright Mike Bartlett is, like many writers, a chronicler of both contemporary manners and of the state of the nation. In his latest domestic...

Album: The Hives - The Hives Forever, Forever The Hives

The Hives must be one of the most self-assured bands around – but not without good reason. Ever exuberant, all their tunes are short and sweet,...

BBC Proms: Faust, Gewandhausorchester Leipzig, Nelsons revie...

Does the orchestra that sways together play together? Quite apart from their (reliably gorgeous) sound, the tight-packed strings of the...

Elizabeth Alker: Everything We Do is Music review - Prokofie...

Composers and musicians explore acoustic...

Album: Benedicte Maurseth - Mirra

During the opening seconds of Mirra, an unusual sound leaps out – a grunting. It’s integral to a shifting aural pallete which also...

BBC Proms: Jansen, Royal Concertgebouw Orchestra, Mäkelä rev...

How often is an orchestral concert perfect in every texture, every instrumental entry, every phrase? Wednesday's Phiharmonia Prom struck sound-...

Blu-ray: Finis Terrae

British audiences of a certain age will note Finis Terrae’s similarity to Finisterre, one of the 31 sea areas listed in the BBC’s ...

The Gathered Leaves, Park Theatre review - dated script lift...

The Gathered Leaves is set on the tectonic plates of a middle-class family menu reunion, in which three generations grapple with the...