fri 24/10/2025

stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

Der fliegende Holländer, Longborough Festival review - stand and deliver on an empty stage

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Madama Butterfly, Glyndebourne review - perverse staging, outstanding cast

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BBC NOW, Alexandre Bloch, Hoddinott Hall, Cardiff review - tonal music in an avant-garde sense

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Stephen Walsh's Debussy - A Painter in Sound - extract

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Tosca, Welsh National Opera review - ticking the traditionalist boxes

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La forza del destino, Welsh National Opera review - rambling drama, fine music

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The World's Wife, Wales Millennium Centre, Weston Studio review - the power and frustration behind the throne

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From the House of the Dead, Welsh National Opera review - elderly staging, music comes up fresh

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Khovanshchina/Eugene Onegin, Welsh National Opera review - Russian revivals strong and weak

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The Magic Flute, Longborough Festival review - sparkling and moving

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Fidelio, Longborough Festival review - death to the concept of concepts

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Pelléas et Mélisande, Garsington Opera review - brilliant but frustrating

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Der Rosenkavalier, Welsh National Opera review - hard to imagine a stronger cast

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Tristan und Isolde, Longborough Festival

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L'Orfeo, EBS, Gardiner, Colston Hall, Bristol

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Y Tŵr, MTW, Sherman Theatre, Cardiff

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There’s something about hauntingly performed songs written in the first person that can draw us in like nothing else. As songs from...

theartsdesk Q&A: Soft Cell

Seven years ago, Soft Cell were about to perform at a sold-out O2, a one-off event they entitled, after 16 years apart, One Night, One Final Time...

Little Brother, Soho Theatre review - light, bright but emot...

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Kilsby, Parkes, Sinfonia of London, Wilson, Barbican review...

It was guaranteed: string masterpieces by Vaughan Williams, Britten and Elgar would be played and conducted at the very highest level by John...

The Maids, Donmar Warehouse review - vibrant cast lost in a...

Jean Genet’s 1947 play has been quite a clothes-horse over the years, at times a glamorous confection dressed by designers, and...

The Diplomat, Season 3, Netflix review - Ambassador Kate Wyl...

The return of this entertaining political drama is always...

Gilbert & George, 21st Century Pictures, Hayward Gallery...

There was a time when Gilbert & George made provocative pictures that probed the body politic for sore points that others preferred to ignore...