sat 11/10/2025

stephen walsh

Bio
Stephen is a former Observer music critic and a regular contributor to The Times, Daily Telegraph, Financial Times, Independent and the BBC. He is the author of a major biography of Stravinsky and other books on Stravinsky, Bartók and Schumann. He holds a chair in music at Cardiff University.

Articles By Stephen Walsh

The Pilgrim's Progress, Three Choirs Festival review - revelatory performance by young musicians

Read more...

theartsdesk at The Three Choirs Festival - Elgar, Vaughan Williams and Hammond

Read more...

The Bartered Bride, Garsington Opera review - brilliant revival of a comedy of cruelty

Read more...

Candide, Welsh National Opera review - vaut le voyage, just for the visual side

Read more...

L'elisir d'amore, Longborough Festival review - agreeable nonsense in a semi-modern English village

Read more...

Götterdämmerung, Longborough Festival review - from the hieratic to the mundane and back

Read more...

Kim, BBC National Orchestra of Wales, Bancroft, St.David's Hall, Cardiff review - finding a style in the Eighties

Read more...

Blaze of Glory!, Welsh National Opera review - sparkling entertainment up the valleys

Read more...

The Magic Flute, Welsh National Opera review - Mozart remodelled and remuddled

Read more...

BBC National Chorus of Wales, BBC NOW, Jeannin, BBC Hoddinott Hall, Cardiff review - competent music-making, interesting choices

Read more...

Mahler 9, BBC NOW, Stenz, St David's Hall, Cardiff review - passionate without bloodshed on the rostrum

Read more...

The Makropulos Affair, Welsh National Opera review - complexity realised brilliantly on the stage

Read more...

Spell Book/La liberazione di Ruggiero dell'isola di Alcina, Longborough Festival review - the pitfalls of diversity

Read more...

Quo vadis, Three Choirs Festival review - a hundred minutes of smug serenity and flowing piety

Read more...

Alcina, Glyndebourne review - Handel on the strand

Read more...

Die tote Stadt, Longborough Festival review - Korngold on the way back

Read more...

Pages

latest in today

'We are bowled over!' Thank you for your messages... ...
Troilus and Cressida, Globe Theatre review - a 'problem...

The Globe’s authenticity is its USP, so don’t expect the air-conditioning, the plush seats and the expectant hush of the National...

Album: Mobb Deep - Infinite

Eight years after Prodigy’s untimely passing, Mobb Deep are gracing our sound systems once again with unreleased vocals and brand new music. With...

London Film Festival 2025 - crime, punishment, pop stars and...

Wake Up Dead Man: A Knives Out Mystery

The third of Rian Johnson’s Knives Out...

I Swear review - taking stock of Tourette's

People sometimes go to the movies for the violence and maybe even for the sex. Until recently they didn’t particularly buy a ticket for...

Clarkston, Trafalgar Theatre review - two lads on a road to...

If you’re a Gen Zer, you’ve probably heard of Heartstopper’s Joe Locke. I’m pretty sure ATG’s Gen Xers in...

Album: Boz Scaggs - Detour

Boz Scaggs rarely does a less than wonderful album. His latest is an exemplary collection of smooth and soulful standard and a few other choice...

Carmen, English National Opera review - not quite dangerous

“Safe” is a word used far too often in ENO’s bizarre new version of a programme, full of uncredited articles, at least two of which look as if...

Ghost Stories, Peacock Theatre review - spirited staging but...

In the framing device, a professor (Jonathan Guy Lewis) stands at a lectern and asks if anyone has had a supernatural experience....

Emily A. Sprague realises a Japanese dream on 'Cloud Ti...

The history of experimental musicians from Europe and North America adopting Japanese aesthetics is … patchy. It got especially dodgy in the 1990s...