fri 31/10/2025

Sebastian Scotney

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Articles By Sebastian Scotney

Album: Jihye Lee Orchestra - Infinite Connections

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Laufey, Royal Albert Hall review - fans in heaven

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Album: Fred Hersch - Silent, Listening

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Album: Shabaka - Perceive its Beauty, Acknowledge its Grace

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Album: Norah Jones - Visions

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Albums of the Year 2023: Bokanté - History

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Jansen, Ridout, Blendulf, Kozhukhin, Wigmore Hall review - Brahms in excelsis

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Album: Samara Joy - A Joyful Holiday

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EFG London Jazz Festival 2023 round-up review - vital sparks crossing and uniting generations

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The Creation, Choirs of King's College & New College Oxford, Philharmonia, Hyde, King's College Chapel, Cambridge - sublime setting for mundane performance

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Schiff, Höbarth, Coin, Wigmore Hall review - Schubert minus transcendence

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theartsdesk at Salzburg Jazz & the City Festival - perfection in free venues

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Lies We Tell review - fear and gaslighting in 1860s Ireland

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Album: Joshua Redman - Where Are We

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Album: Yussef Dayes - Black Classical Music

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Apocalypse Clown review - going out with a laugh

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'We are bowled over!' Thank you for your messages... ...
Wendy & Peter Pan, Barbican Theatre review - mixed bag o...

On paper, this RSC revival of Ella Hickson’s 2013 adaptation sounds just the ticket: a feminist spin on the familiar JM Barrie story,...

Bugonia review - Yorgos Lanthimos on aliens, bees and conspi...

“How can you tell she’s an alien?” asks Don (Aidan Delbis, an impressive neuro-divergent actor) of his cousin Teddy (the excellent Jesse Plemons...

Cat Burns finds 'How to Be Human' but maybe not he...

Twenty-five-year-old South Londoner and current Celebrity Traitors contestant Cat Burns is a charming performer....

Todd Rundgren, London Palladium review - bold, soul-inclined...

The first words are spoken after “Worldwide Epiphany,” the 20th song. “Thank you” is all Todd Rundgren says. With this, the set ends.

It...

Photo Oxford 2025 review - photography all over the town

Photo Oxford 2025 presents a programme of exhibitions, lectures and events ranging from well-known artists and documentary photographers to new...

It’s back to the beginning for the latest Dylan Bootleg

The youthful subject of A Complete Unknown, which closes with him "going electric" at Newport as the culmination of a rainbow arc that...

Ireland's Hilary Woods casts a hypnotic spell with...

Night CRIÚ evokes clandestine ceremonies in forest glades, covert rituals taking place in the depths of a cave. Crepuscular and ghostly,...

Hedda, Orange Tree Theatre review - a monument reimagined, p...

Hedda Gabler is a Hollywood star of The Golden Age – or rather, she was. She walked off the set of two movies into a five-film...

theartsdesk Q&A: director Kelly Reichardt on 'The M...

Kelly Reichardt has a thing about losers. You often see them in her films. It's the failure of American individualism that concerns her...