Sebastian Scotney
Articles By Sebastian Scotney
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Charlie & Stan, Wilton’s Music Hall, review - a beguilin...
Imagine what would have happened if the young Charlie Chaplin and Stan Laurel were cabin-mates on a transatlantic liner. The Told by an...
Noises Off, Phoenix Theatre review - much revived classic fa...
There’s a chance – a slim one – that you haven’t seen Noises Off, Michael Frayn’s farce...
The Last Stage review - a former prisoner returns to the dea...
Seventy-eight years ago, on January 27,1945, Auschwitz concentration camp was liberated by the Red Army. The iconic images of the ovens with...
Castalian String Quartet, Wigmore Hall review - genius in wo...
The Castalian String Quartet is half what I...
Women at War, Netflix review - contrasting stories entwine d...
A sprawling French-made drama set in the early days of the...
Album: Deathprod - Compositions
Ambient is everywhere now. After a quiet (lol) 2000s, when it rather disappeared into the cracks, perhaps tarred with the sense that the more...
Spain and the Hispanic World, Royal Academy review - a monum...
Treasures from the Hispanic Society Museum & Library are displayed as a monumental survey of...
Celtic Connections: Juliette Lemoine, Orchestral Qawwali Pro...
In full force again for 2023, Scotland’s premier folk...
Album: Låpsley - Cautionary Tales of Youth
Let me start by being pretentious and self-referential, spending ages doing that rather than reviewing the album. My theory is that most male...
Julie Cunningham & Co, Sadler's Wells review - a fi...
At the arthouse end of contemporary dance no one expects a packed house, still less serial packed houses for more than a week. Yet Sadler’s Wells...