mon 14/04/2025

Sebastian Scotney

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Articles By Sebastian Scotney

Album: Solveig Slettahjell – Come In From the Rain

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The Adulterer, Channel 4 review - atmospheric, addictive and bingeworthy

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Album: Maria Schneider Orchestra – Data Lords

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Album: Norah Jones – Pick Me Up Off the Floor

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Album: John Scofield, Steve Swallow, Bill Stewart - Swallow Tales

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Jazz musicians adapt to the lockdown - 'Welcome to our world!'

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Daniel Sepec, Tabea Zimmermann, Jean-Guihen Queyras, Wigmore Hall review - the viola is a star

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Max Raabe, Palast-Orchester, Cadogan Hall review - escapism with irony

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Sam Lee, EartH Hackney - capturing the spirit of the moment

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Album: Pat Metheny – From This Place

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Ermonela Jaho, Stephen Maughan, Wigmore Hall review – emotional honesty in rare repertoire

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Album: Ruby Turner – Love Was Here

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theartsdesk in Brussels - jazz, openness and youth at the start of the cultural year

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Albums of the Year 2019: Mark Turner Meets Gary Foster

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Robbie Williams, Wembley Arena review - 12,000 people having a bawl

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Darius Brubeck, Jazz Café review – a touching celebration of 'Time Out' at 60

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At a time when the powers that sadly be in America are trying their damnedest to erase and rewrite history, the latest release from Rhiannon...

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Are we really in “a new era of male anger, societal discontent and rage”? This is what...

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I was in Germany last week, and nearly every town I went to was advertising a St Matthew or a St John Passion taking place in the week up to...

Midnight Cowboy, Southwark Playhouse - new musical cannot es...

It seems a bizarre idea. Take a pivotal film in American culture that reset the perception of The Great American Dream at this,...

Music Reissues Weekly: Motor City Is Burning - A Michigan An...

In October 1967, John Lee Hooker released a single titled “The Motor City is Burning.” The song commented on the civil unrest which had taken...

St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patr...

When you’ve already come as close as possible to perfection in the greatest masterpiece, why risk a repeat performance with a difference? Because...

Thanks for Having Me, Riverside Studios review - snappily pe...

Keelan Kember’s play Thanks for Having Me may look like a vehicle for Kedar Williams-Stirling (Sex Education, Red Pitch...

Kraggerud, Irish Chamber Orchestra, RIAM Dublin review - sto...

A lot hung upon the delivery last night of Henning Kraggerud, whom I last witnessed leading performances of Strauss’s Metamorphosen and...