Thomas H. Green
Bio
Thomas writes regularly for the Daily Telegraph and Mixmag. He has been a consistent presence in the UK dance music media since the mid-Nineties and has also written more broadly about music and the arts elsewhere. He has written one book, Rock Shrines, with another on the way. An ageing raver, he’s still occasionally to be found in nightclubs as dawn approaches.

articles by Thomas H. Green

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Reviewing The Clash’s 27 October 1976 appearance at Birmingham’s Barbarella’s, UK music weekly Sounds detected a particular, unique,…
“Trump Arrangement Syndrome”, my propensity to see the world refracted through the lens of the omnipresent ogre’s cult, raised its head…
The Fez Festival of World Sacred Music has been peerless over the years in presenting world/global music acts in one magical place. Only…
Ever since he crashed into the world with that eerie masterpiece, Maxinquaye (1995) – an album that has never aged – Bristol-born Tricky,…
Mould are a post-punk sounding trio from Bristol. The press release says that their debut album is “13 tracks that explore the horrors of…
The regular scriptwriter for Yorgos Lanthimos’s films, Efthimis Filippou, has worked with another director, Karim Aïnouz, on Rosebush…
This week saw something of a landmark gig for Birmingham’s ever-exuberant folkies, Bonfire Radicals. New album, Spaghetti Junction was…
A voice at the start of dancer Aakash Odedra’s performance speaks out of the darkness about the Sufi myth behind what we are going to see,…
Pyschedelic music has always encouraged intergenerational influence. Thus West Midlander Pete “Sonic Boom” Kember, in his 1980s Spacemen 3…