Gary Naylor
Bio

I turned down The Beatles. Well, not exactly, but on seeing Blood Brothers in 1982, I said it would never sell outside Liverpool - too sentimental, thought I.

Obviously, I grew up to be a theatre reviewer, writing here and for BroadwayWorld since 2009. I also write a weekly cricket column for The Guardian and I podcast about old football at Nessun Dorma. 

I'm a member of the Critics' Circle and the Cricket Media Club and I serve on the committee of the Society for Theatre Research in my capacity as Joint Administrator for the Theatre Book of the Year Award. I have a particular interest in initiatives that address Impostor Syndrome's deleterious effect on young people accessing culture. 

If I'm not watching or writing about a play, an opera, a movie, the cricket or the football, I'm probably asleep - but do check my pulse, just to be sure...

articles by Gary Naylor

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Benvenuti a Napoli cries the huge corny poster of the blue bay and ominous Vesuvius that looms over Neil Irish’s sets for Così fan tutte.…
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With impeccable timing, the Orange Tree in Richmond has scheduled a one-act play that’s exactly what a beleaguered public needs: 75 minutes…
Steve Martin famously said that writing about music was like trying to dance architecture, so maybe making a movie about painting is like…
Kahchun Wong ended his second season as the Hallé’s principal conductor with a blockbuster – and one from what may be seen as his personal…
The psychological masterstroke of this quietly devastating work is to portray it from the point of view of an elderly woman who is…
Yesterday I travelled through a sweltering London in shorts and sandals to go and hear Schubert’s Winterreise, about a bleak journey…
In a small Appalachian village, where people say “Y’all” and prospectors are still searching for silver in the mountains, Barbara Allen…
There’s been quite a breadcrumb trail leading up to the release of Paul McCartney’s 20th solo album, The Boys of Dungeon Lane – a The Rest…