tv
Indian Summers, Channel 4Sunday, 15 February 2015
In the tradition of A Passage to India, The Jewel in the Crown and Staying On, Indian Summers is ambitious, a serious soap attempting to show the dying days of the Raj through a host of interwoven personal and political attachments. Passions run high in the foothills of the Himalayas, cool in the Indian summer, but X-rated for human relationships. Read more...
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Asylum, BBC FourTuesday, 10 February 2015
The BBC is keen to point out to anyone who'll listen that this new political satire is not, repeat not, about Julian Assange. They'll allow that it was in part inspired by the WikiLeaks founder's situation, but any similarity between him and Dan Hern, a preening egotist who leaked official documents and sought asylum in a South American embassy in central London, is purely coincidental. Read more... |
Better Call Saul, NetflixMonday, 09 February 2015
Finally the moment the Breaking Bad diaspora has been waiting for, with the arrival of Vince Gilligan's new show about the earlier career of New Mexico's least scrupulous lawyer, Saul Goodman. Mind you, the title is a little bit misleading, because Saul doesn't exist yet. In this incarnation, he's still just a hustling low-life called Jimmy McGill, a man who never knowingly leaves any barrel unscraped. Read more... |
Inside the Commons, BBC TwoTuesday, 03 February 2015
The Mother of Parliaments is mostly for males. The statues sprout whiskers and the cloakroom coat-hangers have ribbons for hanging swords. The place is run at a stately plod by bewigged, be-whiskered, be-white-tied gents. Members are, for the most part, owners of same. Read more... |
The Secret World of Lewis Carroll, BBC TwoSunday, 01 February 2015
Alice is always with us; the most quoted work of literature, after the Bible and Shakespeare. In fact, Desert Island Discs should probably add Alice to the mandatory Bible and Shakespeare as an automatic inclusion for the survival kit. Read more... |
Kraftwerk: Pop Art, BBC FourSaturday, 31 January 2015
Some documentaries can feel like trying to view a desert landscape through a telescope. The need for tight focus on too large a subject can leave you constantly aware that there’s important stuff going on out of eyeshot. The stuff you can’t see becomes a constant irritant, like a pending tax return, or David Starkey. Kraftwerk: Pop Art, in significantly narrowing its focus, was more like studying a Petri dish under a microscope – and just as fascinating. Read more... |
Fortitude, Sky AtlanticFriday, 30 January 2015
If you can't beat 'em, steal brazenly from 'em. Instead of importing another Scandinavian drama series and slapping on some subtitles, or recycling Fargo or Breaking Bad (or for that matter Deadwood or Twin Peaks), Sky Atlantic has pushed the boat out and created its own slab of sub-zero Nordic mystery, packed with bankable international names. If this extended pilot episode was a reliable guide, it's going to be a tortuous ride on black ice. Read more... |
Timeshift: Battle for the Himalayas, BBC FourFriday, 30 January 2015
When people talk about the Heroic Age of exploration, the heroes are generally agreed to be the explorers. But we’d know a great deal less about Edwardian chaps pluckily struggling through far-flung snowscapes if there weren’t images of them in situ. And the men who caught those images can be counted heroes too. Herbert Ponting pioneered cold-weather photographic techniques in Antarctica with Scott. Read more... |
Touched by Auschwitz, BBC TwoWednesday, 28 January 2015
There’s been a pronounced sense of finality at this year’s 70th anniversary commemoration of the 1945 liberation of Auschwitz. No closure, of course, but an awareness that the ranks of survivors are diminishing, and that soon their first-person testimonials will disappear into a past. Read more... |
Mr Selfridge, Series 3, ITVMonday, 26 January 2015
Mercifully not preceded by a Broadchurch-style hype-tsunami, the new series of Mr Selfridge has slipped neatly back into the Sunday 9pm slot as if it's the rightful owner just back from a year of travelling round the world. It's not revolutionary, ground-breaking or "subversive", but equipped with some new characters and promising plotlines, this opening episode ushered us into the post-World War One era with a spring in its step and the wind in its hair. Read more... |
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