sun 02/03/2025

tv

The Missing, Series 2 Finale, BBC One

Adam Sweeting

Anyone hoping for a few laughs and a nice bit of catharsis after enduring the eight unstintingly miserable episodes of The Missing would have got none of the former and hardly any of the latter.

Read more...

Rillington Place, BBC One

Mark Sanderson

Howard Brenton (Christie in Love) and Ruth Rendell (Thirteen Steps Down) are just two of the many writers inspired by the sordid goings-on in 1940s Notting Hill. John Reginald Christie was a postman, a policeman and a psychopath who, as a back-street abortionist, enjoyed killing for company. A fantasist with an iron grip, he ensured that his lodger, Tim Evans, was the first to be hanged for his crimes.

Read more...

MPs: Behind Closed Doors, Channel 5

Barney Harsent

TV can be a powerful tool of redemption. Take Strictly Come Dancing – anything that can shift perception of Ann Widdecombe from poisonous homophobe to innocuous have-a-go hero is dark, dark magic indeed. Just this week, the Strictly dancefloor has finally bid goodbye to Ed Balls after housing him for almost as long as the role of Shadow Home Secretary, and society is opening its arms to him – a politician with a reputation as a ruthless bully.

Read more...

The Brits Who Designed the Modern World, BBC Two

Marina Vaizey

The Kenwood Chef! Intercity 125! Kodak Instamatic! Wilkinson Sword disposable razors! Bus shelters! Parking meters! They were all designed by a British genius, Sir Kenneth Grange, who appeared here as the subject of a short and disarmingly confident interview, intiating a series of such interviews.

Read more...

Walliams & Friend, BBC One

Jasper Rees

The sketch format goes in and out of favour. It was huge in the 1970s, crawled under a rock when alternative comedians found other means of expression, and was reinvigorated 20 years ago by genuinely inventive shows like Big Train and The Fast Show. Since then, easily the biggest kid on the block has been Little Britain, which married mainstream appeal with a flair for subversion.

Read more...

Young, Gifted and Classical: The Making of a Maestro, BBC Four

Marina Vaizey

This is a documentary about a minority in a minority, a riff on young, gifted and black. And how better to attract both practitioners and audiences to classical music than by encouraging diversity? The totally startling statistic was that in the UK, only five per cent of classical musicians are black or from ethnic minorities.

Read more...

The Grand Tour, Amazon Prime

Adam Sweeting

The Jeremy Clarkson trio must have been vastly amused by the disastrous progress of the Chris Evans version of Top Gear, which staggered across our screens in the summer and prompted the new host to fall on his sword, but they shouldn't be resting on their laurels just yet.

Read more...

Jack Taylor, C5

Veronica Lee

For those new to this Irish crime series, a brief catch-up. Jack Taylor (played by Iain Glen at his world-weary best) is a hard-drinking maverick loner ex-cop who left the Garda Siochána (Ireland's police force) after hitting a politician to investigate cases as private detective. He says there aren't many of his kind in Ireland, as the job is “too close to being an informant – a dodgy concept”.

Read more...

NW, BBC Two

Markie Robson-Scott

“Why is everyone from your school a criminal crackhead?” “Why is everyone from yours a Tory minister?” These questions lie at the heart of Zadie Smith’s NW. Keisha (the wonderful Nikki Amuka-Bird), aka Natalie, is married to wealthy Frank (Jake Fairbrother), who’s asking the crackhead question. Leah (Phoebe Fox), who answers back, is her best friend – though that’s no longer a given.

Read more...

My Mother and Other Strangers, BBC One

Jasper Rees

This new wartime drama launched on Remembrance Sunday is a curio. The setting of My Mother and Other Strangers is rural Northern Ireland in 1943, where it’s green and wet and a long way from the conflict. Into the midst of the fictional Moybeg on the shore of a lough a squadron of bombers from the USAF has been introduced.

Read more...

Pages

 

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Alterations, National Theatre review - high emotional costs...

Plays about the Windrush Generation are no longer a rarity, but it’s still unusual for revivals of black British classics to get the full...

Uprising, Glyndebourne review - didactic community opera sup...

The score is effective, and rewarding to perform, but derivative. The libretto uses every cliché, or truism, about save-the-planet youth activism...

Music Reissues Weekly: Kraftwerk - Autobahn at 50

“German space rock group is already shooting up the charts with their debut US LP. One of few continental groups able to make this musical mode...

Mahan Esfahani, Wigmore Hall review - shimmering poise and r...

To watch Mahan Esfahani play the harpsichord is to watch a philosopher at work. While...

Album: Architects - The Sky, The Earth & All Between

Brighton metallers Architects have weathered various tribulations in their almost 20-year career. Formed by twins Dan and Tom Searle, after...

Jopy/Lemonsuckr/King of May, Green Door Store, Brighton revi...

There’s something exhilarating about seeing bands right at the very, very dawn of their careers. Will they be headlining the Houston Astrodome in...

Gromes, Hallé, Chauhan, Bridgewater Hall, Manchester review...

A cello concerto received its UK premiere in Manchester last night – almost 100 years after it was written. It’s by Maria Herz, a German-Jewish...

Bergerac, U&Drama review - the Jersey 'tec is born...

They stopped making the BBC’s original Bergerac in 1991, so you can hardly complain that this reboot is premature. John Nettles became...

A Knock on the Roof, Royal Court review - poignant account o...

The war in Gaza has been going since 7 October 2023  that’s about 15 months. But it’s strangely absent from British stages...