Bach
Classical CDs: Leaves, prisms and sub-bassSaturday, 26 October 2024
Schubert: Sonata in G major D. 894, Moments Musicaux D. 780, Fantasy in F minor D. 940 Maurizio Pollini, Daniele Pollini (pianos) (Deutsche Grammophon)What a superb cover image for the last recording by Maurizio Pollini (1942-2024). Pollini ‘... Read more... |
BBC Singers, BBCSO, Jeannin, Barbican review - from stormy weather to blue skiesThursday, 03 October 2024
“Bold, ambitious, and good for the sector.” So said Charlotte Moore, the BBC chief content officer, who currently earns £468,000, in March last year as she defended plans to close the BBC Singers as part of a package of swingeing musical cuts masked... Read more... |
Prom 40, St John Passion, Bach Collegium Japan, Suzuki review - finesse and feelingWednesday, 21 August 2024
Bach’s St John Passion came into the world just three centuries ago, in Leipzig at Easter 1724. This year’s Proms shower of manna from musical heaven continued with a consummately polished, sensitive and – ultimately – very moving birthday... Read more... |
Bach/Mendelssohn St Matthew Passion / First Night at the Hub, Edinburgh International Festival 2024 review - a reimagining and a joyous celebrationThursday, 08 August 2024
When I first started attending the Edinburgh International Festival in the 1990s, the Opening Concert (capitals intentional) was a grand Usher Hall affair on a Sunday evening; a central work of the western classical tradition to set the festival... Read more... |
theartsdesk at the Haapsalu Early Music Festival 2024 - other-worldly instruments, perfect programmes and haunting venuesTuesday, 06 August 2024
The buildings, 13th-16th century, are earlier than the music (mostly Baroque). And what buildings. Non-Estonians like myself had heard that Haapsalu was a fine seaside town; but tourist publicity neglected the glory of the castle and cathedral, a... Read more... |
Bach's Mass in B Minor, Collegium Vocale Gent, Herreweghe, Barbican - masterful subtlety proves more intriguing than compellingSaturday, 15 June 2024
There’s a masterful subtlety to Philippe Herreweghe’s interpretation of Bach’s last great choral work – it shuns blazing transcendence for a sense of serene contemplation that reveals every angle of the mass’s geometrical perfection. Listening to... Read more... |
Abel Selaocoe / Dermot Dunne & Martin Tourish, Dublin International Chamber Music Festival - genius transfigures geniusFriday, 07 June 2024
No-one in the musical world could possibly surpass the communicative skills of Abel Selaocoe – pushing the boundaries of cello and vocal technique in a myriad of voices, all cohering in works of staggering breadth, getting the audience to sing at... Read more... |
Bach's Easter Oratorio, OAE, Whelan, QEH review - the joys of springtimeFriday, 29 March 2024
Waiting, and hoping, may prove just as intense an experience as the fulfilment of a wish – or of a fear. Bach knew that, and infused his Easter Week music with a sense of suspense and anticipation built into vocal and instrumental lines that build... Read more... |
Bach St John Passion, Dublin Bach Singers, Marlborough Baroque Orchestra, Murphy, St Ann's Church, Dublin - choral fireMonday, 25 March 2024
Was it worth taking a risk on a more humbly presented St John Passion in Dublin after the best St Matthew I’m ever likely to hear (from Peter Whelan and the Irish Baroque Ensemble in St Patrick’s Cathedral)?The answer, post-performance, is yes:... Read more... |
Bach Passions, Dunedin Consort, Mulroy/Jeannin, St Mary's Episcopal Cathedral/Queen's Hall, Edinburgh review - twin peaksSaturday, 23 March 2024
The annual St Matthew Passion from the Dunedin Consort is one the most reliably beautiful jewels in Edinburgh’s musical year. They do the St John Passion much less frequently; in fact, this is the first time I’ve heard them do it, maybe motivated by... Read more... |
The Art of Fugue, Schiff, Nosrati, Wigmore Hall review - rarity and quality in music and performanceWednesday, 06 March 2024
At the start of his 75-minute pre-concert lecture on Sunday, the incomparable András Schiff staked quite a claim for the piece he was about to perform: Bach’s The Art of Fugue was, he said: “the greatest work by the greatest composer who ever lived... Read more... |
St Matthew Passion, Irish Baroque Orchestra, Whelan, St Patrick’s Cathedral, Dublin review - fluency, fire and some jaw-dropping solosSaturday, 02 March 2024
After last year’s small-scale, big-impact Messiah in the Wigmore Hall, superlatives are again in order for the IBO’s performance of the greatest musical offering known to humankind. With the fluency established by that most supple of directors Peter... Read more... |
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