sat 10/05/2025

Theatre Reviews

Midnight Your Time, Donmar Warehouse online review – intimate and quietly moving

aleks Sierz

During lockdown, some of the best online theatre has been shows that are specially created for this digital format. Much better than dull records of dramas that might have worked well on stage, but now seem sadly moribund and exceedingly slow on the laptop screen.

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Antony and Cleopatra, National Theatre at Home review – Fiennes and Okonedo triumph in dragging tragedy

Laura De Lisle

Like an asp eating its own tail, the National Theatre's 2018 production of Antony and Cleopatra, streaming on YouTube until 14 May, begins as it will end.

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Re:Creating Europe, MIF Rewind review - last year's burning issue semi-dramatized

David Nice

Are we really past all this? From Ivo van Hove's 2019 polyphony of opinions and reflections down the centuries, so much has gone into the oven on a low heat while more Brits discover that "better together" in the European Union might be a better catchphrase than "take back control".

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Frankenstein, National Theatre at Home review – creature discomforts

aleks Sierz

So far, it could be said that the National Theatre is having a good lockdown. Every week, this flagship streams one of its stock of NT Live films, which are always a welcome reminder of the range of its output over the past decade or so.

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Theatre Lockdown Special 3: Mary Shelley twice over, Europe writ large, and one day more for a mega-musical

Matt Wolf

Time is moving in mysterious ways at the moment. It's been possible over the last month or so to mark out the beginning of each week with the arrival online of a different production streaming from the Hampstead Theatre archives.

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Take Me to the World: A Sondheim 90th Birthday Celebration, Broadway.com/YouTube review - slick, often sombre, but when funny, hilarious

David Nice

Maybe you can't compare incomparables, but it was instructive to watch this Broadway lockdown gala feting nonagenarian Stephen Sondheim a night after the Metropolitan Opera's galaxy of stars welcoming us into their homes.

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#aiww: The Arrest of Ai Weiwei, Hampstead Theatre online review – imbued with an urgent new relevance

aleks Sierz

London’s Hampstead Theatre has recently been very successful in bringing some of its best shows to a wider public – despite coronavirus.

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Theatre Lockdown Special 2: Birthdays aplenty, songs of hope, a starry quiz - and more

Matt Wolf

As lockdown continues, so does the ability of the theatre community to find new ways to tantalise and entertain. The urge to create and perform surely isn't going to be reined-in by a virus, which explains the explosion of creatives lending their gifts to song cycles, readings, or even the odd quiz night. At the same time, venues and theatre companies the world over continue to unlock cupboards full of goodies, almost too many to absorb.

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Tiger Country, Hampstead Theatre online review - a taut drama of NHS pressure and pain

Tom Birchenough

If ever there was a “play for today”, it’s surely this.

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Treasure Island, National Theatre at Home review - all aboard this thrilling adventure story

Marianka Swain

Swaggering pirates, X marks the spot, a chattering parrot, “Yo-ho-ho and a bottle of rum”? All present and correct.

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Advertising feature

★★★★★

A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.
The Observer, Kate Kellaway

 

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

 

★★★★★

This final part of Florian Zeller’s trilogy is the most powerful of all.
The Times, Ann Treneman

 

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

 

Book by 30 September and get tickets from £15*
with no booking fee.


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