Theatre Reviews

Salt, Root and Roe, Trafalgar Studios

alexandra Coghlan Tuesday, 15 November 2011

Many dramatists have taken their turn putting faces to Thoreau’s lives of “quiet desperation”. But the challenge in what Thoreau goes on to conclude – that it is therefore a mark of wisdom and the wise to avoid acts of desperation – has been taken up by far fewer. Salt, Root and Roe sees Tim Price transform an act of violence from one of apparently senseless desperation to one of humane intelligence and generosity.

Next Time I’ll Sing to You, Orange Tree Theatre

aleks Sierz Saturday, 12 November 2011

Some plays are so weird they defy description. Well, almost. One of these must surely be the late James Saunders’s deeply absurdist play, whose first outing in 1963 launched the career of the young Michael Caine. Soon after, its author won a promising playwright award. The current revival, part of the Orange Tree’s 40th-birthday season, gives us a chance to look again at a writer whose innovative work has been consistently promoted by Sam Walters, artistic director at this address.

Yerma, Gate Theatre

Veronica Lee Saturday, 12 November 2011

If you didn't know Frederico García Lorca's Yerma before this show, you probably wouldn't be any better informed after watching Natalie Abrahami's engaging but flawed production. In “a new version by Anthony Weigh”, as it says on the programme cover, a backstory of the childless couple Yerma and Juan is interpolated in the Spanish playwright's 1934 "Tragic Poem in Three Acts and Six Scenes” and its chorus has been excised in a much-reduced cast.

Festen, Barbican Pit Theatre

aleks Sierz Friday, 11 November 2011

Family occasions can be fraught affairs, as playwrights from Harold Pinter to Alan Ayckbourn have convincingly proved, but the mother of all family meltdown dramas must be Thomas Vinterberg’s Danish Festen, a Dogme 95 film made in 1998. Soon after, this was turned into a stage play by Vinterberg and Mogens Rukov, which had an outstanding success in David Eldridge’s version here in 2004. Now a Romanian theatre company, Nottara, from Bucharest, bring their version to London.

Hamlet, Young Vic Theatre

Sam Marlowe Thursday, 10 November 2011

First come the strip-lit corridors, the stained breeze blocks, the locked doors; later there are restraints, drugs, needles. The time is out of joint, and we are all imprisoned in a nightmare of confusion, paranoia, guilt and despair. Who are the mad? Who the sane? In Ian Rickson’s thrilling production of Shakespeare’s great tragedy, it’s often frighteningly unclear.

The Mikado, Charles Court Opera, King's Head Theatre

David Nice Tuesday, 08 November 2011

Is this the year that G&S became definitively chic again? The slow-burn effect of ENO's "Miller Mikado" and Mike Leigh's Topsy-Turvy now results in numerous fringe benefits. Sasha Regan's all-male Union Theatre regime has delivered its best yet - Iolanthe at Wilton's Music Hall, the most touching and funny show I've seen over the last 11 months - and now Charles Court Opera gives us more witty operetta-in-close-up with a cast of nine backed up by two pianos.

Comment

A British Subject, Arts Theatre

aleks Sierz Saturday, 05 November 2011

Journalism is often used to create compelling true-life plays. This drama, written by award-winning actor Nichola McAuliffe, has both a journalistic writing style and a journalist - actually the playwright’s husband - as a central character in a tale about rough justice set in Pakistan. Having wowed audiences in Edinburgh and New York, what kind of impression does this piece, which opened in London last night, make in the metropolis?

Collaborators, National Theatre

Sam Marlowe Wednesday, 02 November 2011

“Smackhead, groin doctor and smut-scribe”: that’s one way in which writer Mikhail Bulgakov is described in John Hodge’s debut stage drama.

Comment

John Leguizamo: Ghetto Klown, Charing Cross Theatre

Adam Sweeting Monday, 31 October 2011

At Murry Bergtraum high school in Queens, New York, John Leguizamo was voted the "Most Talkative" student by his classmates. Not much has changed. As this one-man show demonstrates, Leguizamo talks like a Gatling gun on speed, switching almost unconsciously between English and Spanish, and likes to rattle through a gallery of impersonations with scurrilous, hyped-up intensity.

The Last of the Duchess, Hampstead Theatre

aleks Sierz Thursday, 27 October 2011

Is it nostalgic to constantly revisit the history of the royal family? In this new play by Nicholas Wright, which opened last night, we travel back in time to 1980 when the aged Wallis Simpson - widow of the abdicated King Edward VIII - lived as a recluse in a mansion in the Bois de Boulogne, Paris. Despite the fact that a national treasure (Sheila Hancock) is starring in the play, is this a subject worth looking at again?

Comment

inside theatre

Advertising feature

★★★★★

‘A compulsive, involving, emotionally stirring evening – theatre’s answer to a page-turner.’
The Observer, Kate Kellaway

Direct from a sold-out season at Kiln Theatre the five star, hit play, The Son, is now playing at the Duke of York’s Theatre for a strictly limited season.

★★★★★

‘This final part of Florian Zeller’s trilogy is the most powerful of all.’
The Times, Ann Treneman

Written by the internationally acclaimed Florian Zeller (The Father, The Mother), lauded by The Guardian as ‘the most exciting playwright of our time’, The Son is directed by the award-winning Michael Longhurst.

Book by 30 September and get tickets from £15*
with no booking fee.