Opera Reviews
The Magic Flute, Glyndebourne review - deeply moving light in darknessMonday, 02 November 2020
How does Mozart do it? His music can provoke deep emotions even in the unlikeliest operatic situations, if well done, and present circumstances stirred them up all the more on Sunday afternoon. Read more... |
Meet the Young Artists Week recital, Linbury Theatre – four big personalitiesThursday, 29 October 2020
Throughout this most difficult of years, the Royal Opera has done the right thing for the singers on its Jette Parker Young Artists Programme. They were fortunate to finish the run of Handel’s Susanna before the Linbury Theatre closed down for over seven months (yesterday saw its reopening to a necessarily small audience). Read more... |
4/4, Royal Opera review – desire, loss and lunacy in four surprising actsMonday, 19 October 2020
Think you’ve seen enough of monologues and duets over the past few months? Watch this and reel. Read more... |
Fidelio, Garsington Opera review - heart of darkness, light-filled liberationSaturday, 19 September 2020
It may be only six and a half months since many of us saw a production of Beethoven’s Fidelio in the opera house, but that was another world, and this post-lockdown admittance to Garsington Opera’s spacious, award-winning pavilion with its impressive acoustic was always going to be something extraordinary. Read more... |
La bohème, Scottish Opera – pandemic PucciniMonday, 07 September 2020
Picture the scene. A vast steel gazebo covers a nondescript parking lot next to an industrial unit in Glasgow. With a clear plastic covering, it is the most rudimentary of shelters, sides open to admit the roar of the M8 and the wailing of sirens, carried on a keen autumnal breeze. Read more... |
The Royal Opera: Live in Concert review - Italianate fizz with a patch of flatnessSunday, 06 September 2020
What could be better than Mozart’s Overture to The Marriage of Figaro to celebrate the Royal Opera’s next step on the path out of lockdown? Ideally, the rest of the opera, especially remembering Antonio Pappano’s lively interaction with his singers playing the continuo role. Read more... |
Sāvitri, Lauderdale House review - death and life in a Highgate gardenMonday, 24 August 2020
In seach of Orpheus, and following a route from the Hades of (thankfully) masked beings on the underground to Archway, then up to a windy, grassy plateau just below Highgate village, this wandering critic encountered another myth about the power of life over death. Read more... |
The Encore, Opera Holland Park review - stylish return for a squad of old friendsMonday, 10 August 2020
As Dvořák’s "Song to the Moon" from Rusalka rose to its impassioned climax, Natalya Romaniw had to battle a helicopter thumping overhead. The helicopter lost (well, of course it did). Read more... |
Heart's Delight, Opera Holland Park review - a classy hour of operetta popsSaturday, 08 August 2020
Nostalgia of all kinds played a part in this summer evening’s divertissement. Some audience members were probably remembering when operetta held a greater sentimental sway than it does now; many would have been thinking of the full Opera Holland Park seasons – a proper theatre with raised seating, covered stagings, full orchestra and chorus – on what was now the bare terraced spot in front of the semi-derelict house. Read more... |
Moses und Aron, Komische Oper Berlin, OperaVision review – complex and powerful memorialThursday, 06 August 2020
Barrie Kosky’s production of Moses und Aron was staged at the Komische Oper Berlin in 2015 to mark the 70th anniversary of the liberation of Auschwitz. Schoenberg’s opera is philosophical and open to a variety of interpretations. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Maria review - Pablo Larraín's haunting portrait of an...
As Bono once commented about Luciano Pavarotti, “the opera follows him off stage”. Legendary...
Babygirl review - would-be steamy drama that only flirts wit...
Babygirl starts with the sound of sex, piped in over the credits. There's a lot of it on our screens at the moment, from ...
It's Raining Men review - frothy French comedy avoids d...
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (...
Album: Bridget Hayden and The Apparitions - Cold Blows The R...
The title Cold Blows The Rain encapsulates it. A mournful, unembellished female voice sings of loss. The musical backing is sparse....
A Real Pain review - Jesse Eisenberg and Kieran Culkin take...
Jesse Eisenberg's first film as writer/director...
Blu-ray: The Hop-Pickers
Czech theatre theorist Ivo Osolsobě’s tick-list for what constitutes an "authentic" musical is quoted in this release’s booklet. Namely that the...
Liepe, National Youth Orchestra of Ireland, Cottis, NCH, Dub...
There’s nothing like an anodyne new(ish) work to give a masterpiece an even higher profile. Rachel Portman‘s Tipping Points, promising to...
Albums of the Year 2024: Chihei Hatakeyama & Shun Ishiwa...
A gem for me this year has been the collaborative project between the veteran minimalist composer Chihei Hatakeyama and jazz...