Album: The Cult of Dom Keller – They Carried the Dead in a UFO

Fierce psychedelic weirdery straight out of Nottingham

share this article

Psychedelically special

While so many bands of a psychedelic bent treat the genre as if it has been pickled in aspic since the swinging sixties of London and San Francisco or maybe the motorik sounds of mid-70s West Germany, the Cult of Dom Keller don’t give any impression of being hemmed in by such self-imposed and heritage-worshipping rules. Flipping from harsh industrial sounds to the voodoo blues of early Velvet Underground, trippy dream pop to dark drones with weird Middle Eastern samples, They Carried the Dead in a UFO has nothing about it that suggests business as usual in Planet Head-spin.

Far from it in fact, as the album was recorded under strict Covid conditions with the four cult members never being in the studio at the same time. It’s a recording system that has served them well.

From the feedback-rich, snarling gothic groove of “Run from the Gullskinna” to the mind-squeezing sound collage of “Psychic Surgery”, They Carried the Dead in a UFO is constantly jumping tempos, if not genres, between and even during songs. “She Turned into a Serpent” brings in screaming feedback over a backbeat that has something of the Birthday Party about it, while “The Last King of Hell” is a demonic howl from a swirling funnel of sound with a relentless groove that could punch holes in walls. In fact, from beginning to end, there’s not a single lightweight tune here.

Given that this is the fifth album in almost 15 years from the Cult of Dom Keller, there is nothing tired or predictable about They Carried the Dead in a UFO. This is an album that is, by turns, experimental and explosive, light and airy and dark and menacing. But it is never less than fully engaging, pushing on to new and exciting sonic spaces.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
They Carried the Dead in a UFO has nothing about it that suggests business as usual in Planet Head-spin

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction
Neo-folk songs that are woozy and atmospheric but thoroughly engaging
An eardrum damaging evening spent with Birmingham’s Sunn O))) worshippers
Trio with Gene Calderazzo and Alec Dankworth is a jewel of British jazz
Madonna and Stuart Price concoct a set that's bangin' and occasionally affecting