Guy Oddy
Bio
Guy has been a regular New Music album and gig (and very occasionally Film and Theatre) reviewer for theartsdesk since 2013. He is also works as the Development Officer at B:Music, raising money for community, education and capital projects at Birmingham's Town Hall and Symphony Hall. Guy first had a music review published while he was a student at Manchester Polytechnic, when Spacemen 3 visited the Hacienda in 1989 to lay down their trippy psychedelia for an appreciative but not especially large audience. Since then, he has written for a number of publications (some of which have long-since disappeared), including Pulp, Beat Mag and the i newspaper.
latest in today
We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
“I guess you could call it a lost album. I stumbled upon it in my vault at home. I’d forgotten about it completely,” explained Rodney…
Between June 1964 and September 1966, London-area R&B band Downliners Sect issued ten singles, one EP and three albums on EMI’s…
The conundrum of five women, three of them men, is the same as it was in the last Serse I witnessed, in the more intimate surroundings of…
O Glengarry, where is thy sting? That's likely to be one response to the bewildering Old Vic revival of David Mamet's defining (and…
Bach: The Complete Keyboard Concertos Mahan Esfahani (harpsichord/director), Britten Sinfonia, leader Jacqueline Shave (Hyperion…
Beginning with “The Ground Above” and closing with “Otherside”, there’s an ambient, otherwordly, disembodied feel to Beth Orton’s new album…
William Kentridge’s production of Monteverdi’s L’Orfeo marks a double début at Glyndebourne – neither the director nor the opera,…
Nineteen-ninety-five was the dawn of the internet for most people, and the same year saw the release of the first Toy Story movie. Yet…
Currently on show at the Barbican is a video that makes your hackles rise. Two “savages” are on display in a cage surrounded by punters who…