sat 27/07/2024

blues

Paul Alexander: Bitter Crop - The Heartache and Triumph of Billie Holiday's Last Year review - setting the record straight

It’s often said that nobody mythologised Billie Holiday like Billie Holiday. I’m not so sure.In this fine, clear-eyed biography, Paul Alexander documents Holiday’s propensity for feeding the media inaccuracies and tall tales, her enthusiastic...

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Album: Madeleine Peyroux - Let's Walk

Madeleine Peyroux made her name with her second album, 2004’s Careless Love. It consists almost completely of cover versions, delivered in a quiet, jazz-bluesey shuffle redolent of singers from the 1930s. She’s never flown as high again but has...

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Album: Joanne Shaw Taylor - Heavy Soul

Heavy Soul, the ninth studio album by British blues-rock singer-guitarist Joanne Shaw Taylor, is her first in two years, its 10 songs already released as singles. Produced by Kevin Shirley, whose credits include Aerosmith, Iron Maiden and Joe...

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Deap Vally, Concorde 2, Brighton review - final blow-out before the rockin' duo quit

Towards the end of the encore, Deap Vally bring on their friend Solon Bixler. Frontwoman Lindsey Troy hands him her guitar. Despite this being their farewell tour, these two songs, she tells us, are new. The duo, now briefly a trio, go ballistic, a...

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Album: Barry Adamson - Cut to Black

Always looking dapper and always sounding cool, Barry Adamson is a man who nevertheless seems to be perpetually of another time. Giving off the vibes of a one-man Rat Pack with a dash of the legendary Lee Hazelwood, his music certainly doesn’t have...

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Album: Abigail Lapell - Anniversary

Anniversary is Canadian singer-songwriter Abigail Lapell’s sixth album (if we include last year’s lengthy EP of lullabies). Her success has not reached much beyond her native land, as is often the way with Canadian acts, but she’s a proven talent,...

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Slash featuring Myles Kennedy and the Conspirators, OVO Hydro, Glasgow review - guitar heroics against a low-key backdrop

The theme tune to John Carpenter’s horror classic The Thing rang out as Slash and his crew of collaborators took to the stage. Unlike that film’s famous climax though, there was no ambiguity here, for these were experienced stalwarts of rock music...

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Album: Sarah Jane Morris - The Sisterhood

Released yesterday to coincide with International Women’s Day, The Sisterhood will surely prove to be one of the brightest jewels in Sarah Jane Morris’s varicoloured discography.A labour of love which Morris has been contemplating for two decades,...

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Album: Aziza Brahim - Mawja

Glitterbeat is home to a wildly eclectic and reliably brilliant world of artists, from Korea’s Park Jiha via Slovenia’s Sirom to Mauriania’s Noura Mint Seymali, Turkey’s Altin Gun, and desert blues masters Tamikrest. Hailing from the Sahrawi refugee...

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Album: Gregory Porter - Christmas Wish

The cat in the hat with the mellifluous voice delivers his Christmas Wish for the festive season, his first Christmas album, and it sounds more or less as you would imagine it – tasteful, discreet, soulful, reined in, but richly expressive, and...

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Music Reissues Weekly: Shake That Thing - The Blues in Britain 1963-1973

In September 1955, the grandly named London Skiffle Centre set up for business each Thursday in a room above the Round House pub in Soho’s Wardour Street. A prime mover in the venture was blues acolyte Cyril Davies. Two months after the opening,...

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Music Reissues Weekly: Playing for the Man at the Door - Field Recordings from the Collection of Mack McCormick

Between the late 1950s and around 1971, Robert “Mack” McCormick (1930–2015) travelled through his base-state Texas, Alabama, Mississippi, west Louisiana and parts of Arkansas and Oklahoma looking for musicians to record. It wasn’t a random process:...

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