Damien Hirst: No Love Lost - Blue Paintings, Wallace Collection | reviews, news & interviews
Damien Hirst: No Love Lost - Blue Paintings, Wallace Collection
Damien Hirst: No Love Lost - Blue Paintings, Wallace Collection
The most famous British living artist's paintings simply aren't very good
Wednesday, 14 October 2009
Hirst's Skull with Ashtray and Lemon: mere tickets to the surreal imagination, not the ride itself
Damien Hirst's new exhibition at the Wallace Collection is evidence of a deal between nervous guardians of the past and a contemporary artist seeking to burnish his future historical credentials. It stinks. Entitled No Love Lost, Blue Paintings by Damien Hirst - the clunking allusion to Picasso's Blue Period marks out the scale of Hirst's ambition - it presents 25 paintings that we are assured are actually by Hirst rather than a cohort of assistants.
Damien Hirst's new exhibition at the Wallace Collection is evidence of a deal between nervous guardians of the past and a contemporary artist seeking to burnish his future historical credentials. It stinks. Entitled No Love Lost, Blue Paintings by Damien Hirst - the clunking allusion to Picasso's Blue Period marks out the scale of Hirst's ambition - it presents 25 paintings that we are assured are actually by Hirst rather than a cohort of assistants.
Hirst is reaching into the past in order to secure his future place in history. It stinks
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