New Music Reviews
Music Reissues Weekly: The Beatles - Get BackSunday, 24 July 2022
“At all times, the film-makers have attempted to present an accurate portrait of the events depicted and the people involved.” The on-screen statement beginning each of Get Back's three parts acknowledges that definitions of accuracy can depend on points of view. Read more... |
Frida Kahlo Through Indian Classical Music, Elgar Room, Royal Albert Hall review - a strangely effective meeting of culturesTuesday, 19 July 2022
This one sounded implausible. Frida Kahlo, the great (and fashionable – collected by the likes of Madonna) Mexican painter interpreted by Indian classical music at the Elgar Room in the Royal Albert Hall. It was, however, entrancing, made a curious sense, and was a different way of immersing yourself both in the music and paintings. Read more... |
Haim, OVO Hydro, Glasgow review - charismatic siblings personable as everMonday, 18 July 2022
Sweetness never lasts too long at a Haim gig. No sooner had Alana Haim, the youngest of the Californian siblings, finished a speech about her delight about being back in Glasgow by announcing she was going to “smell the f****** roses” then bass-playing elder sister Este piped up with “I’m smelling my armpits. They are ripe.” It summed up a chat-heavy show that at times felt like part gig, part stand-up comedy try-out. Read more... |
Music Reissues Weekly: Happy In Hollywood - The Productions Of Gary UsherSunday, 17 July 2022
As either a producer or songwriter Gary Usher worked with The Beach Boys and The Byrds, the two most consequential California bands of the Sixties. Read more... |
Supersonic Festival 2022, Birmingham review - a hot and heavy weekend in DigbethTuesday, 12 July 2022
Last weekend saw the long-awaited, post-Covid return of Birmingham’s urban festival of sonic strangeness, and yet again it was a time to wallow in the sounds of previously unknown or vaguely heard about artists, while trying not to melt as temperatures sent mercury levels into orbit. Read more... |
theartsdesk in Montreal - delights and discoveries at the 42nd International Jazz FestivalMonday, 11 July 2022
For most Montrealers, their 10-day jazz festival (30 June - 9 July) is, as the new head of programming Maurin Auxéméry described it to me, a “free, all-you-can-eat musical buffet every night”. Read more... |
Music Reissues Weekly: Judex - Cult of JudexSunday, 10 July 2022
A compilation album titled Pennsylvania Unknowns was issued in 1982. Its 17 tracks chronicled the US state’s Sixties garage rock and psychedelic scenes. Amongst the bands included were Pat Farrell & The Believers, The Flowerz, The Loose Enz and The Shandells. About the best known were Allentown’s The Kings Ransom, whose moody 1968 single “Shadows of Dawn” was a collector’s staple. Read more... |
Love Supreme Festival, Sunday review - eclectic jazz on the Sussex DownsWednesday, 06 July 2022
By day three of any festival things are usually winding down. But there was a sense that Love Supreme have saved the best for last this year with a strong offering of funk and soul, R&B and experimental jazz. Read more... |
Album: Laura Veirs - Found LightMonday, 04 July 2022
The last minute of Found Light’s third track “Seaside Haiku” is defined by the repetition of a single phrase: “give but don’t give too much of yourself away.” Before this is the line “I’ve learned a lot from pain.” Read more... |
Music Reissues Weekly: Ferkat Al Ard - OghneyaSunday, 03 July 2022
Oghneya opens with the extraordinary “Matar Al Sabah.” Jazzy, with an overt Brazilian feel it gently swings and swoons. Wordless backing vocals and pulsing but gentle strings add atmosphere. Milton Nascimento comes to mind but the intimate lead voice also feels French, a little bit Julien Clerc. It’s instantly impactful. Read more... |
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