New Music Reviews
Teenage Fanclub, Union Chapel review - pushing forward with gustoWednesday, 20 April 2022
Teenage Fanclub open their set with “Home”, the first single from their last album Endless Arcade. It’s followed by the title track, “Endless Arcade”. The first was written by Norman Blake, the second by Raymond McGinley – the album’s sole songwriters. Read more... |
Music Reissues Weekly: Saturno 2000 - La Rebajada de Los Sonideros 1962-1983Sunday, 17 April 2022
What’s in the groove isn’t necessarily the end of the story. Sound is fixed into a record when it’s pressed. Get it revolving on a turntable, dump the needle onto it and what’s heard is what’s intended to be heard. It’s fixed. Nonetheless, DJs realised a record can be part of the route to something else, something which becomes their creation. Read more... |
Goldfrapp, Symphony Hall, Birmingham review - crowd-pleasing nostalgia for the fansFriday, 15 April 2022
Felt Mountain is not one of Goldfrapp’s most dynamic albums. So, what better venue to stop off in Birmingham to celebrate 20 years since its release than the iconic all-seater Symphony Hall? This the venue, after all, that is renowned for some of the best acoustics in the whole of Europe. Read more... |
The Mission, Chalk, Brighton review - the hits, delivered straight, to an enthused crowdWednesday, 13 April 2022
“Play something we can dance to,” heckles a fan. “Fuck off, we are not a dance band,” fires back Wayne Hussey, leader of The Mission. He’s right. They’re not. But still there is dancing. Read more... |
Music Reissues Weekly: My World Fell Down - The John Carter StorySunday, 10 April 2022
Fat Man’s Music Festival. The Haystack. Red Line Explosion. Stormy Petrel. Butterwick. Sweet Chariot. Names which don't immediately spring to mind. Read more... |
Mdou Moctar, Hare & Hounds, Birmingham review - Tuareg rock’n’rollers have their audience entrancedSaturday, 09 April 2022
It doesn’t happen very often that I find myself experiencing a performance of music that I don’t really know, sung in a language that I don’t speak – and completely entranced by what’s going on. But prior to this week, Mdou Moctar was a bit of an unknown quantity to me. Read more... |
10cc, London Palladium review - still firing rubber bullets 50 years onMonday, 04 April 2022
What a remarkable band 10cc were. For most of the 1970s they made highly unusual pop that careered without a care between bubblegum and prog. Their ease migrating across style lines from Pythonesque japes to dense seriosity lay in the personnel: four bandleaders who all brought a sensibility to a democratic collective. Read more... |
Killing Joke, O2 Institute, Birmingham review – post-punk titans blow the roof offMonday, 04 April 2022
It’s said that even a stopped clock tells the right time twice a day. While Killing Joke are by no means a stopped clock, it feels that the time is again ripe for their politics-heavy brand of muscular post-punk. Read more... |
Music Reissues Weekly: The Prefects - Live At The Festival Suite 1978, Un-Scene! Post Punk Birmingham 1978-1982Sunday, 03 April 2022
It was going to be great. Birmingham’s Digbeth Rag Market was hosting 1977’s highest-profile punk festival on 17 July. The Clash were headlining. Also billed were The Heartbreakers, Rich Kids, The Saints, Shagnasty, Stinky Toys, Subway Sect and Tanya Hyde & the Tormentors. Read more... |
Sophie Ellis-Bextor, Royal Concert Hall, Glasgow review - pop songstress partying like it's 2020Tuesday, 29 March 2022
There are few people, especially musicians, who would wish to revisit the spring and summer of 2020 with any fondness, but Sophie Ellis-Bextor might be an exception. Her kitchen discos, in which she and her husband Richard Jones, aided by their children, played a variety of covers became a lockdown source of solace and regular entertainment at a time when it was much needed. Read more... |
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