New Music Reviews
Gilbert O’Sullivan: Out on His Own, BBC FourFriday, 26 August 2011
While obviously not as seismic a Top of the Pops moment as Ziggy singing “Starman”, the almost contemporaneous appearance of the flat-capped Gilbert O’Sullivan hunched over his piano as if it were a dying coal fire certainly stuck in my memory as clearly as Bowie’s androgynous space-age carrot-top. Although the flat cap was quickly ditched in favour of casual knitwear and even a hairy chest phase (see pic below), today’s 64-year-... Read more...
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Caro Emerald, Jazz CaféFriday, 26 August 2011
In a black dress, Caro Emerald is playing her UK debut. Behind her, an eight-piece band is squeezed onto the Jazz Café’s small stage. Snappy and pin sharp, they’re in black suits, white shirts and black ties. Except the guitarist, who’s jacket-free. Three brass players are ranged behind music stands. Nothing is overstated. Emerald races through her jazz-grounded pop, the rumba-ish “A Night Like This” ending a set that filters filmic swing through a current pop sensibility. Read more... |
Edinburgh Fringe: Luke Haines/ The Horne SectionMonday, 22 August 2011
If the cards had fallen differently Luke Haines might have been as big as Blur. As frontman of The Auteurs he was briefly tipped for Britpop greatness, so it is no surprise that he likes the idea of alternative histories. This special show, The North Sea Scrolls, was all about them, as Haines, former Microdisney linchpin Cathal... Read more... |
Edinburgh Fringe: Adam Riches/ Kristin HershSaturday, 20 August 2011
From the moment Adam Riches bursts onto the stage, spewing his business cards around as a manic showbiz agent who wants to sign up everyone and everything - including even the venue's walls and floor - this is a show of hyper energy and absurdist comedy. Read more... |
Anyone for Demis? How the World Invaded the Charts, BBC FourFriday, 19 August 2011
"Anyone for Demis?" wasn’t the only question posed by this trawl through some of the foreign – not American - popular music that’s been hugged to our collective bosom. That the large, hirsute, kaftan-shrouded Greek wonder that’s Demis Roussos was popular is obvious. He landed in the Top 10 in 1975 with “Happy to be on an Island in the Sun” and became a chart regular for the next two years. Everyone was for Demis. The other poser was the self-cancelling, “Now that pop music’s gone global, has... Read more... |
Edinburgh Fringe: The Cave Singers/ The Real MacGuffins/ An Instinct for KindnessThursday, 18 August 2011
A three-piece hailing from Seattle and its environs, The Cave Singers are an authentically hairy proposition. With his tweed hat and red beard, at this Edge festival gig singer Pete Quirk looked like a cross between the late Robin Cook and a stray leprechaun from Finian’s Rainbow, while Derek Fudesco dispensed his lovely, liquid guitar lines from beneath a blur of flying hair. Read more... |
Wynton Marsalis Quintet, Ronnie Scott'sTuesday, 16 August 2011
“Wynton Marsalis has had an enormous impact on jazz over the last 40 years,” say the programme notes, “being one of the first artists to perform and compose across the full jazz spectrum from its New Orleans roots to bebop to modern jazz.” Although it seems to bestow an extra precociousness upon the American trumpeter, who was only born in 1961, the first part of that sentence is undoubtedly true. The second part is true too, until the last two words. Read more... |
Edinburgh Fringe: Jackie Leven/ Jen Brister/ Doris Day Can F**k OffSaturday, 13 August 2011
Physically reduced he may have been, but his talents were as expansive as ever, and more than capable of holding a small room captivated with just voice and guitar. Read more... |
Teddy and Kami Thompson, Jazz Café CamdenFriday, 12 August 2011
These days Teddy Thompson seems entirely his own man. In fact, mentioning his family connections seems almost gratuitous. Last night, however, the son of Richard and Linda shared the evening with sister Kami and nephew Zak for a family knees-up before a devoted crowd. Read more... |
BBC Proms: Ensemble Modern, Steve ReichThursday, 11 August 2011
One thing became clearer to me last night – just how much Steve Reich has borrowed from world music in his compositions – we had the flamenco-tinged Clapping, Electric Counterpoint, using Central African guitar lines, and Music for 18 Musicians, a mix of West African rhythms, Indonesian gamelan and other elements. Read more... |
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