New Music Reviews
Music Reissues Weekly: Joe Meek And The Blue Men - I Hear A New World SessionsSunday, 23 April 2023
March 1960’s I Hear A New World EP was British pop at its most extraordinary. As its liner notes put it, it was “a strange record”: one seeking to aurally reflect life on the moon and in outer space. Musique concrète, pop and studio-only sonic manipulation were rolled into one. Its creator was producer Joe Meek. Read more... |
theartsdesk on Vinyl: Record Store Day Special 2023Thursday, 20 April 2023
Record Store Day is nearly here. At theartsdesk on Vinyl we have a selection of goodies which are appearing exclusively in record shops. See anything you fancy? THEARTSDESK ON VINYL’S VINYL OF RECORD STORE DAY APRIL 2023 Suicide A Way of Life Rareties (BMG) Read more... |
theartsdesk on Vinyl 76: Elton John, Pharoah Sanders, Hellripper, Jah Wobble, T-Rex and moreWednesday, 19 April 2023
There will be two theartsdesk on Vinyls this week. The first is here, an epic 11,000 words on a multitude of new releases in every genre, from reissues of classics to spanking new strangeness. There’s something for everyone. On Thursday we’ll have a special edition in honour of Record Store Day this coming Saturday, so watch out for that too. For now, though, dive in! VINYL OF THE MONTH Read more... |
Goat, The Mill, Birmingham review - Scandinavian pagans see the weekend out in styleTuesday, 18 April 2023
It might be nigh on six months since Scandinavian shamen (and women) Goat released their latest opus, Oh Death, but it has taken until now for them to finally bring their energetic live show back to the UK. On Sunday’s evidence, it is a wait that now feels like a small price to pay though, as Brummies young and old blew their minds and danced their socks off to intoxicating sounds that provoked a seriously ecstatic response. Read more... |
Music Reissues Weekly: Pharoah Sanders Quartet - Live at Fabrik Hamburg 1980Sunday, 16 April 2023
Promises attracted a lot of attention upon its 2020 release. The album brought together UK electronica artist Floating Points, The London Symphony Orchestra and storied US jazz individualist Pharoah Sanders, who died in September 2022. It became his last album. Promises – composed by Sam Sheperd in his Floating Points guise – cannot though have been conceived to be as high profile as it became. Read more... |
The Damned, Town Hall, Birmingham review - original punks bring some darkadelica to a full houseSaturday, 15 April 2023
The last time I saw the Damned live in concert was in a big tent in Finsbury Park in 1986, to celebrate the band’s 10th anniversary. It remains, without any doubt, the most violent gig that I’ve found myself experiencing to this day. Read more... |
The Orielles, G2, Glasgow review - shoegaze trio keeping their eyes on the futureTuesday, 11 April 2023
It is temping to wonder what path the Orielles would have gone down in a world where the coronavirus never occurred. The Halifax trio had just released their second album, Disco Volador when the pandemic struck, and wiped out any hope of touring the record. Instead they reworked material from the record for use scoring a film, and have now returned with last year’s Tableau album as a significantly different beast. Read more... |
Orbital, Brighton Centre review - a solid hands-in-the-air night outMonday, 10 April 2023
Just before the encore, the crowd is finally warmed up and dancing. It took a while, but hands are now in the air, middle-aged bodies are shifting about, muscle memory of MDMA nights in the last century. Read more... |
Music Reissues Weekly: Too Much Sun Will Burn - The British Psychedelic Sounds Of 1967 Volume 2Sunday, 09 April 2023
Together or separately, British psychedelia and 1967’s related music have been ceaselessly looked at. There cannot be an awful lot more to say. Nonetheless, the law of diminishing returns is there for ignoring so herewith the follow-up to the 2016 box set Let’s Go Down & Blow Our Minds. Read more... |
Mimi Webb, O2 Academy, Glasgow review - TikTok queen fails to fire with sparse setThursday, 06 April 2023
Blake Rose clearly wasn’t leaving anything to chance. The support act bounded onstage draped in a Saltire, and soon brought up his days growing up in Aberdeen before moving to Australia. That Scottish upbringing helped inspire one of his songs, “Sweet Caledonia”, and going by the lively reaction he received from the youthful Glasgow crowd they were glad to take him as their own. Read more... |
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