New Music Reviews
Music Reissues Weekly: Jon Savage's 1980-1982 - The Art Of Things To ComeSunday, 05 March 2023
Jon Savage's 1980-1982 - The Art Of Things To Come continues a series which began in 2015 with 1966 - The Year The Decade Exploded, a compilation springing off from Savage’s book of the same name. A follow-up looked at 1965, but after that the series has marched forward chronologically. Read more... |
Suzanne Vega, Royal Festival Hall review - the years melt awayFriday, 03 March 2023
It’s almost 40 years, but I still vividly remember the excitement of hearing Suzanne Vega for the first time. Singer-songwriters had always mattered to me, even though I grew up in the vacuous era of glamrock and insipid teen idols such as David and Donny. Nor did much of what followed speak to me. Suddenly, a new voice was getting airplay... Read more... |
Album: slowthai - UGLYFriday, 03 March 2023
The years since slowthai’s Mercury Prize nominated debut have been patchy. There was the public reckoning after his oafish behaviour at the NME awards, but then he scored his first number one album a year later. He’s become a father but also struggled with his mental health. Read more... |
We Are Scientists, Oran Mor, Glasgow review - fan service with a smile proves lackingMonday, 27 February 2023
Although We Are Scientists onstage chat is always delivered with a light touch, there is truth running through it as well. Early on at this set their singer and guitarist Keith Murray quipped that he wouldn’t be needing his lucky charm for the evening, and in a way he was right. Read more... |
Music Reissues Weekly: Stranger In Town - A Del Shannon CompendiumSunday, 26 February 2023
After Del Shannon took his own life in February 1990 at age 55, some obituaries were careful to point out that he stood apart from other pop stars who were big in pre-Beatles America. “The most tragic thing would be for Del Shannon to be lumped with, as he sometimes was in the past, all the Bobbys and Frankies and the other teen idols,” said the L.A. Weekly. Read more... |
Dry Cleaning, Barrowland Ballroom, Glasgow review - post-punk outfit say all the right wordsMonday, 20 February 2023
There is an endearing awkwardness with Dry Cleaning, despite steady success over the past three years. “Does anyone else want a wave?” asked their frontwoman Florence Shaw at one point, almost shyly, before proceeding to do just that in various directions. It was an intriguing contrast, between a group who seemed slightly taken aback by the size of venue they were playing, and the manner in which they emphatically delivered their material in that setting during this gig. Read more... |
theartsdesk on Vinyl 75: The Beach Boys, The Residents, Danny Goffey, Jean-Michel Jarre, black metal and Sixties psychMonday, 20 February 2023
Welcome to the first theartsdesk on Vinyl of 2023 and it’s another whopper, over 8000 words and a range of musical styles that defies genre or categorization, from the most cutting edge sounds to boxsets of golden vintage pop. Dive in! VINYL OF THE MONTH Jimmy Edgar Liquids Heaven (Innovative Leisure) Read more... |
Music Reissues Weekly: Dave Brubeck Quartet - Debut In The Netherlands 1958Sunday, 19 February 2023
For Dave Brubeck, his Quartet’s first concert in the Netherlands was memorable. Getting to Amsterdam’s Concertgebouw for the 26 February 1958 booking was difficult, possibly unfeasible. The band were travelling from Berlin, and arrived at the show a half-hour after they were meant to be on stage. Read more... |
Jockstrap, Heaven review - ecstasy in underground bassFriday, 17 February 2023
Jockstrap’s crowd, in the vaults of Heaven, was always going to be beautiful and effortlessly cool. Ushered in by a ticket-check clerk sporting love bites, the dreamy sounds of the warm-up act, Pablo, filled the underground space.
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Marina Allen, Cafe Oto Review - east London substitutes for 1970s Los AngelesThursday, 16 February 2023
When Marina Allen’s second album Centrifics came out last autumn, the Los Angeles singer-songwriter said her voice was the only instrument on the record. She writes on guitar and piano but beyond what she sang, everything else was played by collaborators. Seeing her live might reveal how she saw the songs away from their studio setting – maybe getting close to how they were originally conceived. Read more... |
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