tue 25/02/2025

New Music Reviews

George Ezra, O2 Academy, Brixton

Russ Coffey

Well, the vocals were certainly formidable...but what else would you expect? As a teenager George Ezra says he would listen for hours to his dad’s Leadbelly albums, whilst gazing at sleeve notes that read: “This voice is so big you may need to turn your record player down.” That was Ezra’s inspiration. Last night his own voice was sufficient to fill Brixton Academy.

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Bob Dorough and Friends, Pizza Express Jazz Club

peter Quinn

Aged 91, and as frisky as a newborn puppy, the US singer, pianist and songwriter Bob Dorough is a sui generis stylist whose smart lyrics – delivered in an understated southern brogue – and nimble pianism which nods to both bebop and swing masters, combine to produce something quite unlike anything else in jazz. But what really lit up the Pizza Express Jazz Club was the joie de vivre of Dorough's performance, his humour and love of the ludic.

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CD: Carter Tutti – Carter Tutti Plays Chris & Cosey

Barney Harsent

There’s a danger in an artist having their work reinterpreted that the end result will be little more than a rough outline of the original. Look at Metallica’s axe job on the Velvet Underground for instance. Still, on the bright side, at least they increased the band’s "reach" to include jocks and morons.

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Reissue CDs Weekly: Orchestral Manoeuvres in the Dark

Kieron Tyler


ORCHESTRAL MANOEUVRES IN THE DARK JUNK CULTURE DELUXE EDITIONOrchestral Manoeuvres in the Dark: Junk Culture

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Gruff Rhys, KOKO

Jasper Rees

First there was the movie, the album, the book and the app. Now there is the tour. American Interior, Gruff Rhys’s postmodern narrative concept, has spread tentacles in any number of media. At the heart of it is the mythic story of John Evans, a young Welsh explorer who in the 1780s took himself off deep into the unvanquished heart of America in search of a myth, the lost Welsh-speaking tribe of Madog.

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Gorgon City, Concorde 2, Brighton

Thomas H Green

The vibe in the Concorde last night was unbelievably up. The short version of this review is that the band are decent live but the crowd made the evening fizz with manic human electricity. Gorgon City, like a less funk-based Rudimental, performed songs that magpie about the history of electronic dance music, focusing especially on the classic house template, but attaching it all to soul-pop songwriting.

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Amina Figarova Sextet and Isfar Sarabski Trio, Ronnie Scott's

Matthew Wright

“Jazzerbaijan”, the giddy publicity tag attached to last night’s double bill of Azeri jazz at Ronnie Scott’s, was sounding soberly appropriate by the end of a dazzling display of generic shape-shifting by the young Isfar Sarabski Trio. A packed and exuberant audience thrilled to his sound, which seemed to transcend generic boundaries with a breath-taking lyricism and fluency.

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Ennio Morricone, O2 Arena

Thomas H Green

This concert is called My Life in Music and the Italian film composer Ennio Morricone seems determined to take us on a journey from his origins in Italian B pictures to inarguable and gigantic orchestral opulence. In the 1960s he put together iconic and resonant music on a tight budget, with limited ensembles and quirky instrumentation. These made his name, along with that of the director Sergio Leone.

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Reissue CDs Weekly: Martin Hannett & Steve Hopkins

Kieron Tyler

 

Martin Hannett Steve Hopkins The Invisible GirlsMartin Hannett & Steve Hopkins: The Invisible Girls

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Tutuguri, BBCSO, Nagano, Barbican

Peter Quantrill

If what you wanted to do was go out to the middle of the Mexican desert, invert the Cross and dip it in blood, screaming obscenities all the while, surrounded by a sunburnt band of fellow travellers all off their heads on mescalin, Tutuguri is definitely the music you’d want to do it to.

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