tue 25/02/2025

New Music Reviews

Sam Lee & Friends: Temples Tour

Tim Cumming

Sam Lee launched his second album this week, the eagerly anticipated follow-up to his Mercury-nominated debut, A Ground of it Own.

Read more...

The Pursuit of Now, Sadler's Wells

Matthew Wright

Even for a dancer of Akram Khan’s sublime gifts, “Now” is an evasive concept to convey. During last night’s Sadler’s Wells extravaganza of Azerbaijani jazz and contemporary dance, “The Pursuit of Now”, Khan and his co-performer, the German-Korean dancer Honji Wang, mesmerised in a series of vignettes, gorgeously choreographed and lit.

Read more...

CD: Blancmange – Semi Detached

Barney Harsent

After waiting a quarter of a century for Blancmange’s last album, 2011’s Blanc Burn, this new offering, effectively a Neil Arthur solo project, almost feels like a rush release. There’s a much changed visual aesthetic – gone is the stylised, Fifties cover kitsch, replaced by something much more stark and impenetrable. Now, I know you shouldn’t judge a book by its cover, but what about CDs?

Read more...

Dr John & The NiteTrippers, Ronnie Scott's

Thomas Rees

Blues is an old man’s game. To do it properly you really have to have lived, and to have the scars and the criminal record to show for it. How do I know? Because Mac “Dr John” Rebennack is living proof. As he shuffled on at Ronnie Scott’s last night to join his NiteTripper four-piece, with a walking stick in each hand and his dreadlocked pony tail hanging over one shoulder, he had the look of a man who’s done himself serious damage over the years.

Read more...

The Stranglers, O2 Academy, Birmingham

Guy Oddy

Perhaps it’s because today’s economy often seems to reflect the nightmare of the late Seventies, but recent years have seen plenty of the original punks return to public attention with a renewed vigour. Whereas some, like support band The Rezillos, have reformed after a break of several decades, the Stranglers, despite a few line-up and stylistic changes, have never gone away and aren’t shy about playing a set of tunes drawn from their 40-year career.

Read more...

Reissue CDs Weekly: Simple Minds

Kieron Tyler

 

Simple Minds Sparkle in the RainSimple Minds: Sparkle in the Rain

Read more...

Paloma Faith, Brighton Centre

Thomas H Green

Paloma Faith has been on the front pages lately. Winning the Brit Award for Best Female Solo Artist 2015, following two previous unsuccessful nominations, has done her profile no harm. A few songs in tonight she squats down behind the grand piano and announces, “There’s a little thing round here,” then triumphantly produces her Brit, dedicating it to her audience.

Read more...

Spandau Ballet, Brighton Centre

Thomas H Green

Of course they had to end with “Gold”. It’s one of those songs which, once heard, even if you dislike Spandau Ballet, is impossible to remove from the brain, a bona fide Eighties classic. Lead singer Tony Hadley and guitarist Gary Kemp, the man who wrote their songs, even performed a short acoustic version earlier on, perched amid the Brighton Centre’s 4500 capacity crowd in the sound desk area.

Read more...

Reissue CDs Weekly: Tav Falco

Kieron Tyler


Hip Flask – An Introduction to Tav Falco & Panther BurnsTav Falco & Panther Burns: Hip Flask – An Introduction to Tav Falco & Panther Burns

Read more...

Say Yes To Another Excess - TWERK, Sadler's Wells

Heidi Goldsmith

"The music will be loud," the slender usher warns on entry to altered natives' "Say Yes To Another Excess" – TWERK, as a Grime bassline shakes the flimsy theatre floor. She hands over a text-heavy programme and does not frisk me. This is no London Bridge warehouse, although bouncers giving out freesheets on the door could be a great way to get the middle classes down to a rave. For now regular Rinse FM DJs Skilliam and Elijah are coming to the ballet.

Read more...

Pages

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

latest in today

Help to give theartsdesk a future!

It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.

It followed some...

Jessica Duchen: Myra Hess - National Treasure review - well-...

Myra Hess was one of the most important figures in British cultural life in the mid-20th century: the pre-eminent...

Interview: Polar photographer Sebastian Copeland talks about...

Sebastian Copeland’s images of the Arctic may look otherworldly – with their tilting cathedrals of ice, hypnotic light, and fractured seascapes...

Rats on Rafts, The Victoria review - crepuscular Dutch quint...

An album is one thing, a live show is another. A truism of course, but one which is inescapable during this London date by the Rotterdam-based...

Mickalene Thomas, All About Love, Hayward Gallery review - a...

On walking into Mikalene Thomas’s exhibition at the...

Blu-ray: Drugstore Cowboy

Rehab people will tell you there are three stages to drug abuse: fun; fun with problems; problems. There’s also a fourth phase, where there aren't...

A Thousand Blows, Disney+ review - Peaky Blinders comes to R...

Steven Knight is beginning to resemble the British version of Taylor Sheridan. While Sheridan has been saturating our...

Fledermaus, Irish National Opera review - sex, please, we...

Let’s finally face the elephant in the room: the most popular Viennese operetta, packed with hit numbers, no longer works on the stage as a whole...

Chamayou, BBC Philharmonic, Morlot, Bridgewater Hall, Manche...

The second of the Philharmonic’s Boulez-Ravel celebrations (birth centenary of the former, 150th of the latter) brought Bertrand...