thu 24/04/2025

New Music Features

theartsdesk in India: Endangered classical music, and aerialist dancers

Peter Culshaw

I hadn’t been through Mumbai (although lots of people there still call it Bombay) for a while – I once Iived in a beach house here for several months in Juhu while working on a fairly insane project with, among others, Boy George, Bollywood playback goddess Asha Bhohle, and the brilliant film composer RD Burman called the West India Company.

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Audio Exclusive: Green Gartside Sings Nick Drake

theartsdesk

One of the great British singer-songwriters of the past half-century, Nick Drake is the subject of a new tribute album, Way to Blue, released next Monday on Navigator Records. A companion piece to the concerts staged worldwide over the last four years, the artists involved include Teddy Thompson, Vashti Bunyan, Robyn Hitchcock, Lisa Hannigan, Scott Matthews and Danny Thompson.

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theartsdesk in Lahore: Music, mysticism and fistfights

Sam Mills

On Wednesday I will strap on a guitar and take the stage at the Royal Festival Hall for the opening night of this year's Alchemy Festival. I am the musical director and happy accompanist to a line-up of spectacularly talented musicians, all with roots in different parts of the Indian subcontinent. As I write, visas are being stamped and air tickets finalised for 11 musicians flying in from India and Pakistan.

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Interview: Stephan Micus, the world's largest one-man band

Simon Broughton

"Multi-instrumentalist" is a catch-all phrase that usually means somebody who plays flute, clarinet, sax and perhaps a bit of guitar. When it comes to Stephan Micus, he’s a multi-instrumentalist of an altogether different calibre. He plays hundreds of instruments – he doesn’t know how many – which he’s collected and commissioned from all over the world.

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theartsdesk in New Zealand: WOMAD Taranaki

Garth Cartwright

I've been to countless UK Womads yet have never before made it WOMAD Taranaki. Which is almost something to be ashamed about considering I'm a Kiwi. But this expat is never in the South Pacific mid-March. Until, that is, this year. The 11th New Zealand Womad is held in the small city of New Plymouth in Taranaki, a gorgeous West Coast hump in the central North Island.

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theartsdesk in Zanzibar: The Nightingale Still Sings

Thembi Mutch

A crowd of men and younger women in full burkahs gathers, bewildered by the sight: an African woman, in West African “Mumu” (khaftan) and a covered head, playing Ghazals (Islamic calls to prayer). Accompanied by an acoustic guitar, a clear voice, sitting on a café terrazza, Nawal transports us: until it is broken. “How dare you use the name of Allah in a song?!” cries out a dishevelled street vendor, visibly upset. “But you use keyboards in your praise of Allah” she retorts calmly.

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Farewell Kenny Ball, 1930-2013

Kieron Tyler

The death today at age 82 of trumpeter Kenny Ball makes him the first of the big three chart regulars of Britain’s trad jazz boom to pass away. Both Acker Bilk and Chris Barber are still with us. It’s easily forgotten, but trad actually was bigger than The Beatles. In January 1963, just as the Liverpool quartet were issuing their second single, “Please Please Me”, Ball was on a sell-out bill at north London’s massive Alexandra Palace.

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10 Questions for Suede's Brett Anderson & Mat Osman

Bruce Dessau

Suede, led by the arrestingly beautiful Brett Anderson, was one of the finest bands to come out of the UK in the first half of the 1990s. Their eponymous debut album, released in 1992, won the Mercury Music Prize.

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The Dark Side of the Moon: Prog’s Gleaming Peak

Graham Fuller

Let us go now to a foreign country. To the foreboding concrete tunnels and rooms of an RAF early-warning facility under the Sussex Downs in the early summer of 1973.The Lower Sixth has somehow procured the space for an epic late-night party. Cheap beer and cheaper cider is drunk. Cigarettes are smoked, self-consciously. Flared jeans and cheesecloth shirts are worn under Afghan coats, not with panache.

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Manchester International Festival 2013 Preview

Peter Culshaw

Yesterday Kenneth Branagh was thanking Manchester – saying that he felt he had “come of age” the previous time he had performed Shakespeare in the city 25 years ago, the audience being so “generous, quick-witted and lively".

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