CD: Pumarosa - Devastation

London trio get personal on weird and wonderful second album

share this article

Pumarosa's Devastation: skittish drums, claustrophobic melodies and haunted vocals

Pumarosa picked the perfect time of year to launch their second album into the world: its skittish drums, claustrophobic melodies and haunted vocals are the perfect soundtrack to witching season. But the horrors that inspired Devastation are far more personal: frontwoman Isabel Muñoz-Newsome was diagnosed with cervical cancer the week the band’s 2017 debut was released, with the band playing Glastonbury mere weeks after her surgery.

With that back story in mind, you’d be forgiven for thinking tracks like “Fall Apart”, “Lose Control” and “Devastation” are primed to tell a particular story - but Muñoz-Newsome, a fascinating narrator, flips those tropes. The opening track and lead single is less about falling apart than trying to find a safe enough space to be vulnerable: “in pieces you are what you need to be,” she sings, her voice near-expressionless, over a skittering bass line that owes no small debt to The Prodigy. “Lose Control” has at its centre the oxymoron of choice and an infectious hook; a line about making deliberate mistakes “just to know that I’m breathing” hitting close to the bone.

Recorded in Los Angeles with alterna-pop super-producer John Congleton, the album welcomes the witching hour with a host of weird and wonderful flourishes: the feedback looped satanic choir that elevates mid-tempo plodder “I See You”; the frenetic, key-changing synths slicing through Muñoz-Newsome’s feather-light vocals on “I Can Change”; the squalling, hysterical strings that accompany the orgiastic “I Am Lost”. But while there is heaviness here - “Factory”, at the album’s mid-point, practically implodes under its own weight - the title track sounds like coming back to life. Both Muñoz-Newsome’s voice and the irresistible melody soar as she demands to be thrown a lifeline, and by the time the song goes full-on chaotic marching band it’s clear that from destruction can emerge something new.

Below: hear "Fall Apart" by Pumarosa

Add comment

The content of this field is kept private and will not be shown publicly.
It’s clear that from destruction can emerge something new

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

One of the world's most successful pop stars reappears with more unhelpful dross
Calming and atmospheric desert blues is defiant in the face of oppression
Two live, unhurried, and quietly revelatory 20-minute explorations
What starting again after 14 years looks like
Echoes of the Fab Four in songs of love and loss
The tangled musical legacy of one of San Francisco’s great Sixties bands
Cronos and his crew are as gloriously heavy, evil and catchy as ever
A long history of bleeps, clonks and funkiness is channelled into this Danish techno
Fifth album from Basement is more fleet-footed and breezy, but still rocking and hefty.