CD: Orbital - Wonky

13 years since their last great album, Orbital come good

In 2009 Orbital returned too soon. Dance music icons Paul and Phil Hartnoll only called it a day a little over four years previously so it was hardly a magnificent comeback. The resulting live shows smelt more of tax bills than art. Fair enough, we all have to live, but it was a shame to see such a great creative pairing fizzle rather than shine.

Orbital ruled dance music throughout the Nineties. Their self-titled “brown” album remains an all-time great and the decade’s other four albums were also astonishing, even beautiful - lush listening music that turned into a driven foot-moving sonic elixir at the drop of a pill. They delivered it live, too, with expert precision, their torch-light glasses becoming symbolic of the whole experience.

Passing swiftly over their two post-millennial albums (one a dreadful guest vocalist affair, one pleasing but forgettable) and their two solo albums (Phil’s, perfunctory club fodder; Paul’s, promising filmic pop-electronica), we arrive at Wonky

It’s good news. They may not break new ground in the way they once did but Wonky is a smashing combination of their trademark giant melodic synthesiser tones with the crunch of tough dance music. In fact, Wonky may be their most bangin’ album to date, happily not to the detriment of all the musical stuff they’re wonderful at.

The title track is misleading - a dubstep-breakbeat beast with vocals by Lady Leshur - as is the ballsy single “New France”, which elegantly weaves a vocal by American electro-Goth Zola Jesus into a meaty by-numbers Orbital bosher. Both are smart fun but the real juice lies with tracks such as the driving, wrenching “Never”, the steroid “Halcyon”-ish buzz of “Distractions” or the aptly titled Detroit techno homage “Stringy Acid”. Album closer “Where Is It Going?” is simply mighty, bleeping and building to crescendos purpose-built to induce almost physical waves of rave pleasure. Orbital have located something they'd mislaid; they sound tight, dynamic, exciting, and Wonky will simply slay festivals. I can’t wait. Welcome back.

Watch the video for "New France"

Add comment

The content of this field is kept private and will not be shown publicly.

Plain text

  • No HTML tags allowed.
  • Lines and paragraphs break automatically.
  • Web page addresses and email addresses turn into links automatically.
It’s good news. They may not break new ground in the way they once did but Wonky is smashing

rating

4

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

more new music

Young composer and esoteric veteran achieve alchemical reaction in endless reverberations
Two hours of backwards-somersaults and British accents in a confetti-drenched spectacle
The Denton, Texas sextet fashions a career milestone
The return of the artist formerly known as Terence Trent D’Arby
Contagious yarns of lust and nightlife adventure from new pop minx
Exhaustive box set dedicated to the album which moved forward from the ‘Space Ritual’ era
Hauntingly beautiful, this is a sombre slow burn, shifting steadily through gradients
A charming and distinctive voice stifled by generic production