Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Mabel - High Expectations

Run-of-the-mill debut from rising young pop star

share this article

Girl-next-door with attitude

If you are between 13 and 17 years old, Mabel is pop royalty because she’s maintained a playlist/daytime radio presence for the last two years, culminating in her over-my-ex smash “Don’t Call Me Up” at the start of this year. With six Top 20 hits under her belt, two Brit Award nominations and a billion streams, she’s doing well. If you’re upwards of 35, Mabel is pop royalty because her mother is singer Neneh Cherry, her father is trip hop producer Cameron McVey, and her grandfather is jazz trumpet pioneer Don Cherry. If you’re in the former category, her debut album may satisfy. If you’re in the latter, it almost certainly won’t.

Lyrically, and as a media presence, Mabel is the-girl-next-door with attitude, which is all to the good, but, judged on her music alone she could be any one of a broad range of 2019’s female pop stars. The sound is entirely generic, with no features at all that define at as by a particular artist. The best of it has pop punch but those playing it on shuffle would never know who they were listening to. It’s the usual vocal-treated, faintly Caribbean-melodied chart pop, the usual post-X Factor vocal style, a little bit Dua Lipa, a little bit Rihanna, a little bit Charli XCX, a little bit Zara Larsson and so on.

Does that matter? Not if you’re listening on shuffle and don’t really care who she is. The current hit, the stuttering sex song “Mad Love”, is a chunky dancefloor banger, the aforementioned “Don’t Call Me Up” undeniably hits the sweet spot, while “Trouble” is a lighters-in-the-air, electro-pop power-slowie, and the extras include all her big her “collabs”, such as the trop-house chugger “Ring Ring” with DJ-producer Jax Jones and “Cigarette” with its potent turn on the mic from Stefflon Don.

The short of it is that those wishing Mabel might make music which matches her forebears – characterful, standing out from the mass – are out of luck. However, those simply after a slice of sexed-up, proudly girl-powered chart-pop will be happy enough, even if they never really properly knew who it was by.

Below: Watch the video for "Mad Love" by Mabel

A little bit Dua Lipa, a little bit Rihanna, a little bit Charli XCX, a little bit Zara Larsson and so on

rating

2

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

Two decades on from Patti Smith and the original pink sheep, the anniversary edition proved again that Latitude's real headliners are rarely at the top of the bill
From Korean bluegrass to gigantic Ugandan xylophones, the global diversity of musical life is here
A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism