Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

CD: Alice Cooper - Paranormal

Alice returns to give his theatrical stylings an alt-rock make-over

share this article

Alice: Good fun and some decent tunes

The cover of Alice Cooper’s first album in six years shows the erstwhile Vincent Furnier with two heads. This, one assumes, is supposed to provide a neat little illustration of Paranormal’s musical content which is spread over two discs. On the first disc, Alice lays out his theatrical vision over largely alt-rock stylings, while on the second disc he knocks out a couple of tunes with the iconic Alice Cooper Band before treating the listener to half a dozen of his old classics culled from a recent gig in Columbus with his present band.

It’s all good fun and there are even a few decent tunes among the new material but, somewhat inevitably, Paranormal doesn’t get near the heights of Killer, Billion Dollar Babies or the other highlights of Alice’s 1970s magnificence. Nevertheless, the rock’n’roll cabaret of “Dynamite Road”, “Dead Flies” with its punky undertones and growls of “Your sister’s high on Angel Dust”, and the biker rock of “Fallen in Love” with its dirty blues riff suggest that the Old Campaigner isn’t ready to be put out to grass just yet.

“Genuine American Girl” and “You and All Your Friends”, the two tunes recorded with Dennis Dunaway, Neil Smith and Michael Bruce of the original band, however, are a bit of a disappointment. While they aren’t particularly embarrassing, neither are they particularly special and just come on like fairly commercial rawk without a great deal of roll. The live tracks though suggest that Alice can still very much produce the goods in concert, with kicking versions of “No More Mr Nice Guy” and “Under My Wheels” bringing a very powerful reminder of the man’s place in the Rock’n’Roll Pantheon – which is only reinforced by a rip-roaring take on the evergreen “School’s Out”.

The Old Campaigner isn’t ready to be put out to grass just yet

rating

3

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

The genre-crossing musician brings a New Age sheen to his solo piano tribute
The London trio add toilet bowls and ugly crying to the hedonistic glamour
New York band’s blend of folk rock and psychedelia grabs attention
Northern indie four-piece offer a vim-laden snapshot of disenfranchised Britain
Ladysmith Black Mambazo and Laura Mvula shine
Garage, French House and feeling collide in latest release
A creative, inclusive, endlessly imaginative festival for families
Prolific Aussie psychedelicists marry dance and prog sounds
A soaring fusion of atmospheric melancholy and energetic punk