Founder rate ends 9th September.

We’re rebuilding theartsdesk to secure the future of real arts journalism. Be part of it by subscribing: if you do it now, the founders’ rate of just £40 yearly is yours FOR LIFE!

SUBSCRIBE NOW 

Album: Spiritualized - Everything Was Beautiful

Jason Pierce brings a rainbow of influences to his Lockdown album

share this article

Space rock with new flavours

The Covid pandemic’s various lockdowns may have been a living hell for some, but there were also plenty of people who thoroughly enjoyed the opportunity to distance themselves from society. One of those to thrive during this time was Jason Pierce, band leader and the only constant member of psychedelic space rockers Spiritualized.

However, while the last Spiritualized album And Nothing Hurt was pretty much a solo affair, Everything Was Beautiful sees the pendulum swing to the other extreme. For, while Pearce may have played 16 different instruments during its recording – which took place in 11 different studios as well his own home – he also welcomed on board more than 30 other musicians and singers, string and brass sections, choirs, finger bells and even the chimes of the Whitechapel Bell Foundry to create a full-fat wall of sound flavoured by a plethora of influences.

“Always Together with You” may be a breathy, woozy love song but it is one that still manages to employ an orchestra, traditional electric rock instrumentation and a choir. “The A Song (Laid in your Arms)” sees Pierce and his confederates seriously let rip with a brassy tsunami of swirling sound that takes in free jazz, screeching saxophones and a general improvised chaos, all filtered through Spiritualized’s singular version of rock’n’roll. Elsewhere, there’s “Crazy”, a cowboy ballad with some atmospheric slide guitar. He even puts on his dancing shoes and lays down a solid groove that suggests the Velvet Underground trying their hand at Northern Soul on “Best Thing You Never Had” – and, somewhat against type, it really is hip-swinging and foot-stomping stuff.

Everything was Beautiful may be an unmistakably Spiritualized opus, but it’s also an album that suggests that Pierce took full advantage of the Covid-induced break to reinvigorate the band’s sound with a bucketload of new flavours.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
An album that suggests that Pierce took full advantage of the Covid-induced break to reinvigorate the band’s sound

rating

4

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 9th September this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more new music

A championing, but also perhaps a dilution, of South African innovation
The return of a punk-era landmark of British art rock
With a danceable rock feel she displays her burgeoning creativity
The garage rockers don't do themselves justice on new album
Andy Dragazis’ musical alter-ego offers nods to legendary arranger and producer Charles Stepney
The welcome return of a foundational album of electronic minimalism
Surrealism, social observation and more muscular sound from the Leeds quartet
A powerful personal outpouring of joy and pain - with a great beat