tv reviews
fisun.guner
Presenter Nick Robinson with residents of 'The Street That Cut Everything'
There’s nothing like a reality TV programme to bring a community together. Or maybe not. The Street That Cut Everything took one suburban cul-de-sac in Preston and shook up its residents thus: if they wanted their bins emptied, their street cleaned, their benefits paid and their elderly and needy looked after, they had to do it themselves. The council were going to withdraw all services - bar the emergency services and schools - for six whole weeks. And if that doesn’t sound terribly long, it was certainly long enough to pit neighbour against neighbour when it came to voting over who got what.
Adam Sweeting

America has been very good to Hugh Laurie. His starring role as Dr Gregory House has shot him to the top of the earnings tree in US television, while comprehensively demolishing existing preconceptions of him as the blissfully idiotic Bertie Wooster, or the half-witted Prince Regent in Blackadder the Third. You might even say that with House, Laurie finally got the chance to play Blackadder.

howard.male
Don’t worry, we’ll only be pushed to the brink of extinction, suggests cheery voyeur of destruction, Dallas Campbell

“Some say it will end in fire, others say there will be a flood…” So began Horizon’s sobering look at past Armageddon-themed episodes. But why not both? As I was writing this review from a preview DVD, ahead of its original scheduled broadcast on 17 March, news came through that the accident at the Fukushima Daiichi nuclear plant in Japan had been upgraded to a level-six crisis, on a scale of seven. Two thoughts simultaneously occurred to me: firstly, that doing the review was tempting fate. And secondly, that such superstitious, solipsistic thinking was symptomatic of the human race’s primitive ongoing preoccupation with its own destruction.

Jasper Rees

Ian, who is having problems with erectile dysfunction, is freezing his wife out. Susan thinks she may be frigid which, understandably, her husband has taken personally. They’re all a lot better off than Dave, mind. He is in love with a woman who is ideal for him but he can’t seem to get past first base. It's making him suicidal. They all acknowledge there’s a problem, because they’re all in counselling with Relate. Slightly less conventionally, they’ve all agreed to have their sessions recorded and broadcast as part of a documentary. And pushing the boat out a little further, they appear on screen in the form of animations. Yes, you did read that correctly.

Veronica Lee
Lord Sugar with his 'eyes and ears' Karren Brady and Nick Hewer

Oh joy upon joys, as The Apprentice returns. Those of you who watch while playing a drinking game in which you imbibe every time a cliché or preposterous, bombastic or ridiculously inflated statement is uttered will have to check in your livers again sometime soon, but I’m delighted to say that this new series allows another permutation of the game - have a glug every time you can spot the person who has watched every second of the previous six series but Hasn’t Learnt a Damned Thing.

graeme.thomson

Even taking into account Britain's currently insatiable appetite for the literary, cinematic and televisual output of our Nordic friends, the notion of an “award-winning Icelandic comedy” still sounds a little like one of those lame gags designed to play upon a nation's reputation for batting above average in the international suicide stakes. The pedigree of The Night Shift , however, is no joke. Sadly, it transpired last night that its contents were also no laughing matter.

josh.spero
The dullards of 'Made in Chelsea'

Hot on the vulgar, vertiginous heels of The Only Way is Essex came E4's Made in Chelsea last night, where the stars were better shod but about as interesting as shoe leather. The first ill omen was the use of the angsty, vengeful riff from Adele's "Rolling in the Deep" - it wanted the passion and style of the music but could only grasp it on a fast-food level. Things got no better.

Adam Sweeting

The story of the Pitmen Painters, a group of Northumbrian miners who decided to study art appreciation in their spare time and developed into a group of untrained but powerfully expressive artists, has been documented in a book by William Feaver and a play by Lee Hall. Robson Green's particular interest in the story stems from the fact that he's a miner's son, brought up in Dudley, a few miles south of the pitmen's hometown of Ashington.

Jasper Rees
Poker face: In 'The Shadow Line' Christopher Eccleston plays a fruit’n’veg’n’smack dealer

It’s got more derivations than a dictionary. The Wire has been mentioned in dispatches, as have British conspiracy dramas such as State of Play and Edge of Darkness (in which something is rotten etc). And talking of Denmark, it comes along with The Killing obsessives doing cold turkey. Even its creator has cited the guiding hand of cynical, labyrinthine Seventies crime thrillers – Flight of the Condor and The Parallax View. Put them all together and have you got a series which exists entirely in the long shadow cast by narratives which have passed this way before? Or can The Shadow Line be its own thing?

fisun.guner
Michael Mosley tells the story of human conception and development, aided by some impressive visuals
Dr Michael Mosley has been involved in some pretty hair-raising stunts in the course of filming various biology strands for the BBC. So, I imagine he might have felt something like relief filming his new series Inside the Human Body. With neither potholing nor bungee jumping, nor tearing down a steep hill in a giant, transparent ball in the offing, the only terrifying thing the engaging presenter was required to do, at least for this opening episode of a four-parter, was to hold an hour-old baby. This was a lovely, tender moment in a film that told the story of human conception and development, and in which the presenter, for once, took a back seat and let the CGI wizardry do most of the talking.