The Apprentice Series 7, BBC One/ You're Fired, BBC Two | reviews, news & interviews
The Apprentice Series 7, BBC One/ You're Fired, BBC Two
The Apprentice Series 7, BBC One/ You're Fired, BBC Two
Raise a glass to the return of Lord Sugar's reality show
Tuesday, 10 May 2011
Lord Sugar with his 'eyes and ears' Karren Brady and Nick Hewer
Oh joy upon joys, as The Apprentice returns. Those of you who watch while playing a drinking game in which you imbibe every time a cliché or preposterous, bombastic or ridiculously inflated statement is uttered will have to check in your livers again sometime soon, but I’m delighted to say that this new series allows another permutation of the game - have a glug every time you can spot the person who has watched every second of the previous six series but Hasn’t Learnt a Damned Thing.
Oh joy upon joys, as The Apprentice returns. Those of you who watch while playing a drinking game in which you imbibe every time a cliché or preposterous, bombastic or ridiculously inflated statement is uttered will have to check in your livers again sometime soon, but I’m delighted to say that this new series allows another permutation of the game - have a glug every time you can spot the person who has watched every second of the previous six series but Hasn’t Learnt a Damned Thing.
‘Melody didn’t say what they taught her, but I’m guessing they tutored her in bullshit, balls and utter bollocks
Explore topics
Share this article
Add comment
The future of Arts Journalism
You can stop theartsdesk.com closing!
We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d
And if you can forward this information to anyone who might assist, we’d be grateful.
Subscribe to theartsdesk.com
Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.
To take a subscription now simply click here.
And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?
more TV
Gavin & Stacey: The Finale, BBC One review - hilarious high five to an indelible cast of characters
In Nessa, Ruth Jones has left behind a unique comic creation
10 Questions for Mark Gatiss, writer-director of 'A Ghost Story for Christmas: Woman of Stone'
Gatiss explains why his eerie tale begins with its original Victorian-Edwardian author Edith Nesbit
All Creatures Great and Small, Christmas Special, Channel 5 review - Mrs Hall steps into the spotlight
Everyday saga of Yorkshire vets does exactly what it says on the tin
Death in Paradise Christmas Special, BBC One review - who killed Santa Claus?
Don Gilet steps into the detective's shoes on the island of Saint Marie
Strike: The Ink Black Heart, BBC One review - protracted, convoluted puzzler lifted by its leads
The army veteran and his partner are still trapped in a detective-genre script
Black Doves, Netflix review - Keira Knightley and Ben Whishaw battle against the implausible
Can anyone be trusted in Joe Barton's twisty London drama?
Senna, Netflix review - the life and legend of Brazil's greatest driver
You saw the movie, now watch the TV series
Landman, Paramount+ review - once upon a time in the West
Billy Bob Thornton stars in Taylor Sheridan's Texas oil drama
Paris Has Fallen, Prime Video review - Afghan war veteran wreaks a terrible vengeance
Cynical politicians and amoral arms dealers feel the heat
Wolf Hall: The Mirror and the Light, BBC One review - handsome finale for Hilary Mantel adaptation
Mark Rylance is on top form as his Thomas Cromwell re-emerges after nine years
The Day of the Jackal, Sky Atlantic review - Frederick Forsyth's assassin gets a modern-day makeover
Eddie Redmayne shoots to kill in lavish 10-part drama
Until I Kill You, ITV1 review - superb performances in a frustrating true-crime story
Anna Maxwell Martin and Shaun Evans are compelling, but the script needs more ballast
Comments
...
...