Film Reviews
Maestro review - the infinite variety of Leonard BernsteinFriday, 24 November 2023
The only seriously false note about Maestro is its title. Yes, Bernstein was masterly as a conductor, and Bradley Cooper gives it his best shot. But he was no master of his life as a whole. Maybe the title should have been something like Lenny and Felicia (you think of something better). Read more... |
Lost in the Night review - hunting a mother's killerFriday, 24 November 2023
“Everything is legal if you have the money,” states the world-weary protagonist of this new film by the Mexican-American director Amat Escalante.
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A Stitch in Time review - feelgood Aussie indie with an undernourished scriptFriday, 24 November 2023
There’s a faint whiff of Strictly Ballroom about Sasha Hadden’s Australian indie A Stitch in Time, another tale of people in later life rekindling lost dreams and a long-buried love while nurturing younger folk with the same passions. Here, though, this love is expressed in dressmaking rather than foxtrots and quicksteps. Read more... |
Napoleon review - Sir Ridley Scott's historical epic is wide but not deepWednesday, 22 November 2023
Sir Ridley Scott has taken umbrage at the French critics who weren’t too impressed with his new movie. Not only do they not like his film, but the French “don’t even like themselves”, according to the dyspeptic auteur. Read more... |
Mami Wata review – a gorgeous, strange African fableSunday, 19 November 2023
Mami Wata is the female West African water god still worshipped in Iyi, a fragile, matriarchal village redoubt against modernity. Writer-director C.J. “Fiery” Obasi’s third film makes Iyi a battleground for African identity, in a glistening black-and-white fable played out to the sea’s constant, low crash and wash. Read more... |
May December review - a queasy take on sexual exploitationSaturday, 18 November 2023
There’s much to admire here – May December features impressive performances from Julianne Moore and Natalie Portman, and director Todd Haynes shows his mastery of classic Sirkian style. But disappointingly, this comes across as a movie that aims to critique media exploitation of a scandal while indulging in its own manipulation. Read more... |
Is There Anybody Out There? review - autobiographical documentary on disabilitySaturday, 18 November 2023
Ella Glendining has made an impressive documentary debut with the autobiographical essay, Is There Anybody Out There? Born without hip joints and very short thigh bones, we first encounter her as a perky, confident little girl walking in the woods near her home, in video footage filmed by her parents. They were aware from the first pregnancy scan that she was different and have done an exemplary job of ensuring that she had as happy a childhood as possible. Read more... |
Saltburn review - an uneven gothic rompFriday, 17 November 2023
This seems to be a season for films majoring on bisexuality, with the awards round encompassing Ira Sachs’s Passages, Bradley Cooper’s Maestro and Emerald Fennell’s Saltburn, a story of high-class high jinks in a modern twist on Evelyn’s Waugh’s Brideshead Revisited. Read more... |
Tish review - haunting portrait of a driven working-class photographerFriday, 17 November 2023
Paul Sng’s documentary Tish is one of the best British films of 2023 – both a heartfelt tribute to the life and work of the late photographer Tish (born Patricia) Murtha and a timely reminder of the war waged on the nation’s industrial working-class by the Thatcher government and its successors. Murtha’s death in 2013 was not unrelated to that war. Read more... |
Driving Madeleine review - a Paris taxi ride reveals a harrowing life storyFriday, 17 November 2023
Charles (French comedian Dany Boon), a jaded taxi driver in Paris, is stressed out. He owes money, the points on his license are mounting up, he barely has time to see his wife and daughter. When he gets a booking for a far-flung ride involving an old lady, he’s not enthusiastic even though the pay’s good. All joie de vivre has left him. Read more... |
Peter Doherty: Stranger In My Own Skin review – close-up on chaosSaturday, 11 November 2023
Pete Doherty’s notorious tabloid image as Kate Moss’s junkie rock star boyfriend blessedly faded following that relationship’s end, stopping short of Amy Winehouse territory. Katia deVidas’s documentary focuses on that addiction through his preferred self-image as a latter-day Rimbaud, a punk poet more suited to his current French home. The result is remarkably unvarnished, but narrowly framed. Read more... |
Anatomy of a Fall review - gripping psychological thriller set in the French AlpsFriday, 10 November 2023
There’s a splinter of ice in the heart of a writer, said Graham Greene, and that ice plays a part in French director Justine Triet’s superb fourth feature, which won the Palme d’Or at Cannes. Read more... |
A Forgotten Man review - Switzerland's WW2 record haunts monochrome dramaFriday, 10 November 2023
Switzerland isn’t exactly famous for parading its history during WWII. Remaining neutral from the conflict like its neighbour Liechtenstein, the Swiss benefitted from financial and armament deals with Nazi Germany, turned away Jewish refugees at the border and, post-war, failed to inform the remaining families of Holocaust victims about the deposits left by dead relatives in Swiss banks. Read more... |
Rustin review - a doubly liberated American lifeSunday, 05 November 2023
This is a tribute to a forgotten hero, gay black Quaker Bayard Rustin (Colman Domingo), driving force behind the 1963 March on Washington, the vast peaceful protest that sanctified Martin Luther King as his oratory seemed to lift black America towards a Promised Land. Read more... |
On the Adamant review - moving French documentary focusing on mental healthSaturday, 04 November 2023
On the Adamant is an endearing documentary by the French director Nicolas Philibert, best known here for his 2003 film, Être et Avoir, a portrait of a single-room school in the Auvergne. Read more... |
Dance First - the travails of Samuel BeckettSaturday, 04 November 2023
Dance First takes its title from a line in Samuel Beckett’s most famous work Waiting for Godot. “Perhaps he could dance first and think afterwards,” says the tramp Estragon of Pozzo’s slave Lucky, who then proceeds to do both in a typically absurd Beckettian way. Read more... |
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