DVD: Sherlock Holmes - The Hound of the Baskervilles

Who's the hound, and who's the ham in this Soviet film version?

share this article

The Soviet thinking person's detective? Vasily Livanov as Holmes from the 1981 The Hound of the Baskervilles

We in the UK have much enjoyed our contemporary Sherlock Holmes recently, courtesy of Cumberbatch et al. It’s amazing to think that, at the height of the Cold War, Soviet television was bashing out TV versions of the Holmes stories. And they were water-cooler discussion productions (despite obvious absence in those days of water-coolers). Director Igor Maslennikov made no fewer than nine Conan Doyle-themed works in the late 1970s and early 1980s. The first of these to reach further shores in DVD format is this 1981 account of The Hound of the Baskervilles.

It has production values to rival anything of its time –- Lenfilm studio was at its peak, and the Siberian tundra was more than match Dartmoor. Casting is as top as it gets – imagine the best of the RSC and National Theatre combined. There is absolutely classic thesping from Vasily Livanov as the elusive Holmes, and Vitaly Solomin as the reticent Watson, with a show-stopping performance from Nikita Milkhalov as the returning Sir Henry Baskerville. Nominally Sir Henry is returning from Canada, but in spirit he’s arriving from Siberia, in full fur-coat and accompanying range of gestures and mannersims. Overacting doesn't come much better.

Essentially, it’s a theatre piece in glorious screen performance – Livanov and Solomin are playing around the edges of the detective genre story as well as Chekhov, while Mikhalkov is in full Shakespearean swing. Mikhalkov – a 1995 Oscar-winner for his performance in and direction of Burnt by the Sun - has gone on to become Russia’s chief cinema honcho. You can understand why.

The result is more than entertaining – everyone camps it up, and you wonder if anyone told them they weren’t in The Three Musketeers. It's a rather wonderful Soviet vision of that Soviet horse-chesnut, Britain as "foggy Albion" straight out of Dickens. As for the hound, you have to see it for yourself. The musical score from Vladimir Dashkevich ranges from the sub-minstrel British to contemporary Eighties. No extras on this disc, and the subtitles could be better. Livanov received an honorary OBE for his Holmes work. Richly deserved.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
Overacting doesn't come much better

rating

4

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more film

A Bellocchio classic is retooled as a stifllng rich-brats' revenge story
A potential camera in every hand: SMart celebrates smartphone directors
Hitchcockian black comedy from Luis Buñuel’s Mexican period
Olivia Wilde's snappy comedy on the perennial subject of reviving a failing marriage
Kiss kiss, bang bang in a moving Middle East documentary
David Vann's acclaimed novella transposed to the screen with mixed results
The most important 'how-to video' you are ever likely to see
Satyajit Ray's poignant, thoughtful drama, set in 1960s Calcutta
Superman's party girl cousin earns her stripes underwhelmingly
Convoluted drama takes on Fab Four delusions, brotherly trauma and ultraviolence
Sophy Romvari's atmospheric first feature looks back at a tortured family dynamic
The evergreen animation franchise in a below-par new romp