A swift comeback for Covent Garden's ballet prodigal Polunin

Rapid return for the sell-out Sadler's Wells show for male ballet rebels

share this article

The poster for the event at Sadler's Wells

Fascinating news of the errant Royal Ballet star Sergei Polunin, apparently not lost to ballet just yet. Following his sudden walkout from the world-famous company where he was trained and nurtured as the most promising young man for decades, he is returning to Sadler's Wells in a mere three weeks with the independent programme of male ballet put on by his compatriot-in-rebellion Ivan Putrov.

The programme, entitled Men in Motion, was hit on its opening in late January by the tsunami of publicity surrounding Polunin and by the less positive effect of the last-minute unavailability of three of its billed Russian stars, apparently kept back by visa problems. This time a different set of men will accompany Putrov and Polunin - former Royal Ballet principal Tim Matiakis and two leads from Spain's Compañia Nacional de Danza, Isaac Montilor and Clyde Archer.

A new signal of Polunin's intentions is that he himself will choreograph a work on the bill. This time it's also expected that Nacho Duato's kooky male trio, Remanso - cancelled last time due to the visa obstructions - will be performed.

Also on the programme will be Leon Jacobson’s Vestris – a solo originally choreographed in 1969 for a young Mikhail Baryshnikov after he won the International Ballet Competition in Moscow - and Vaslav Nijinsky’s L'après-midi d'un faune, an iconic work for the male dancer created a century ago.

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment

rating

0

explore topics

share this article

Help secure the future of arts journalism

In this era of algorithmic recommendation, opaquely sponsored content and AI slop, theartsdesk’s mission to preserve real journalistic and critical values has never been more important.

If you like what you see here, please join us 
in this mission.

Subscribing to the site will help us in our coming 
redesign and expansion.


If you do this before the 31st August this will be at our guaranteed founder’s rate: 
your subs will never increase again.

Subscribe now for £5 per month. 
or yearly for just £40.

Or if you simply want to support us with a one-off donation, you can do so here.

more dance

Aakash Odedra is superb as a tortured creature seeking freedom and transcendence
Double bill takes the Royal Ballet dancers to unusual new heights
The latest tranche of Korean contemporary dance offered a mesmerising instant classic
A handsome production in need of a stronger score and deeper characterisation
A triptych of ambitious works by Wayne McGregor fails the sandwich test
Much-appreciated words of commendation from readers and the cultural community
Getting it very right and very wrong in this contemporary double bill
After 25 years and counting, Cassa Pancho's fine company remains essential
The kindly Skoog made history as a brutal Interrogator in a classic modern ballet
The craic's 90 in Michael Keegan-Dolan's extraordinary wild ride of an evening
The great dance-theatre maker’s 2008 piece makes a timely London debut