Comedy Reviews

Susan Calman, Soho Theatre

Veronica Lee Saturday, 17 November 2012

Susan Calman's star has risen of late - the Glaswegian lawyer turned stand-up has been an Edinburgh Fringe favourite for some while now, but in the past two years she has become an established Radio 4 presence through the likes of The News Quiz, and has been seen acting on television on shows such as Sharon Horgan's comedy drama Dead Boss.

Alan Davies, Touring

Veronica Lee Wednesday, 14 November 2012

Alan Davies used to be a regular on the stand-up circuit, before acting and other television work, including ad campaigns and being a panellist on the long-running quiz QI, took him away from live comedy. But now, after a break of more than a decade, he's back on the road and the rest has clearly served him well.

Comment

Jenny Eclair, touring

Veronica Lee Wednesday, 31 October 2012

Among the many things Jenny Eclair does these days - writing novels, panto, appearing on television in various guises - she has found time to go back on the road with Eclairious. TV hasn't curbed her deliciously potty mouth, thank goodness, and even though she says by way of introduction “Please lower your expectations”, she proves to be on fine form, as ever.

Jack Dee, Edinburgh Playhouse

graeme Thomson Tuesday, 30 October 2012

“When I was a teenager even I had a period when apparently I was quite morose,” Jack Dee tells the Edinburgh crowd, his hangdog features projecting various extremes of existential agony. “But, hey, I got through it." This may be Dee’s first standup tour for six years, but it’s very much business as usual in terms of perpetuating his role as comedy’s Mr Grumpy, eternally exasperated, irritable, acerbic. And, truth be told, these days a tiny bit predictable.

Russell Kane, Hammersmith Apollo

Veronica Lee Monday, 29 October 2012

For the past few years Russell Kane has mined much of his comedy from his fraught relationship with his father, now dead. It's a neat twist then to postulate his latest show, Posturing Delivery, on his relationship with "Ivan", Kane's entirely imaginary son.

Shappi Khorsandi, Soho Theatre

Veronica Lee Friday, 19 October 2012

If the first rule of being a novelist is to write about what you know, then the first rule of comedy is to be yourself. And in that respect Shappi Khorsandi starts with an advantage, as being herself means she's warm and likeable and the audience are instantly on her side.

Greg Davies, touring

Thomas H Green Saturday, 13 October 2012

Greg Davies strolls onstage to the sound of Fatboy Slim’s remix of Wildchild’s “Renegade Master”, the “44 year old renegade master,” as he drily observes. From there he initially dwells on middle age and the way his stomach has expanded. His manner is so genial that his gigantic size - 6’8” – is not especially immediate or imposing. Clad in jeans and a black T-shirt he achieves the rare feat, throughout the 90-minute set, of being likeable and funny without ever utilising viciousness.

Michael Mittermeier, Soho Theatre

Veronica Lee Friday, 12 October 2012

There must be something on the air; a few foreign comics (including Edinburgh Comedy Awards newcomer winner Daniel Simonsen) were performing in English at this year's Edinburgh Fringe and now one of them, Germany's Michael Mittermeier, has brought his Fringe show, A German on Safari, to London for a short residency at Soho...

Danny Bhoy, Bloomsbury Theatre

Veronica Lee Thursday, 11 October 2012

Danny Bhoy is big in Scotland and Canada and huge Down Under, as they say, but is a surprisingly unfamiliar name to many. I'm not sure, other than a lack of a television presence, why he's not as well-known throughout the UK as he should be: he's an extremely affable, laidback Scot whose brand of observational, conversational comedy is easy on the ear.

Kevin Bridges, Hammersmith Apollo

Veronica Lee Monday, 01 October 2012

Kevin Bridges, an affable young Glaswegian, has had a meteoric rise in comedy. He started gigging at 17, made his solo Edinburgh Fringe debut in 2009, where he played in a 50-seater and earned an Edinburgh Comedy Awards newcomer nomination, and returned the following year to a sold-out run in a 700-seat theatre.