Comedy Reviews
Steen Raskopoulos, Soho TheatreThursday, 28 August 2014
Steen Raskopoulos has hit the ground running with his debut show; it was nominated for a Foster's Edinburgh Comedy Award (best newcomer) at the Fringe earlier this month, after he won Sydney Comedy Festival 2013 and Melbourne International Comedy Festival 2014’s best newcomer gongs. Read more... |
John Kearns/ Alex Edelman/ This Is CeilidhTuesday, 26 August 2014
John Kearns: Shtick, Voodoo Rooms ****London comic John Kearns made history at the weekend, when he became the first comic to win the main prize at the Edinburgh Comedy Awards after winning best newcomer gong, which he did last year That's some achievement. Read more... |
Edinburgh Fringe 2014: Chris Turner/ BEASTS/ Angela Barnes/ Show PonyTuesday, 19 August 2014
Chris Turner: Pretty Fly, Pleasance Courtyard **** This is Chris Turner's debut show as a stand-up, although his previous experience in improv group Racing Minds gives him a wonderful assurance on stage and an easy rapport with his audience. Read more... |
Edinburgh Fringe 2014: Adam Riches/ Josie Long/ Loretta Maine/ Dane Baptiste/ Tom AllenSunday, 17 August 2014
Adam of the Riches, Pleasance Dome ****No one is safe at an Adam Riches show from being grabbed to take part in his frantic sketch comedy; each skit in this hour of anarchy involves audience participation, from using someone's mouth as a cocktail mixer (compete with half a banana shoved in his gob) to having gents of a certain age “strumming” each other's hair, as if a harp. Read more... |
Edinburgh Fringe 2014: Bridget Christie/ Men in the Cities/ Lazy Susan/ OutingsWednesday, 13 August 2014
Bridget Christie: An Ungrateful Woman, The Stand *****This is the “difficult second album” show for Bridget Christie, despite her having done 10 years at the Fringe. She finally found her voice at last year's festival, deservedly winning the Edinburgh Comedy Award after a raft of five-star reviews for her avowedly feminist show, A Bic for Her - but how do you follow that? With another five-star show, obviously. Read more... |
Edinburgh Fringe: Andrew Maxwell/ SpoilingSaturday, 09 August 2014
Andrew Maxwell (****) tells the Scots in the audience that he’s going to “rip the shit out of everything they hold dear” in Hubble Bubble, his take on the independence referendum. He doesn’t quite do that but it’s a witty and thoughtful take on the issues surrounding the vote. Read more... |
Ursula Martinez: My Stories, Your Emails, Purcell RoomWednesday, 06 August 2014
In her book How To Be a Woman, Times columnist Caitlin Moran explains the difference between strip clubs and burlesque shows, and why the latter are perfectly acceptable to feminism. Read more... |
Edinburgh Fringe: Sarah Kendall/Christian O'ConnellMonday, 04 August 2014
Comics rarely start a show by referencing the ending of a previous one, but Sarah Kendall has first to do a bit of housekeeping to explain the genesis of Touchdown. The payoff for her last show was her dropping the c-bomb on her high-school gym teacher, Coach Harris, but when her mother attended a gig she said to her daughter: “It didn’t quite happen like that, though, did it?” Read more... |
Chelsea Handler, London PalladiumMonday, 14 July 2014
Chelsea Handler may be an unknown name for many in Britain - although some will know her from her spat with Piers Morgan on his now-cancelled US chat show - but there were plenty of fans at the London Palladium to watch the actress, comic and chat show host making her UK stand-up debut, with a one-off show based on her travelogue of a trip to Africa with some friends, Uganda Be Kidding Me. Read more... |
Monty Python, O2 ArenaWednesday, 02 July 2014
It could have been an embarrassment all round; a bunch of blokes in their seventies revisiting material that was anarchic and transformative 40 years ago but which they are now performing for 10 lucrative nights in the home of commercial comedy. Fear not, though, Monty Python Live (almost): One Down Five to Go – surely the final farewell tour – proves that quality endures. Read more... |
Pages
latest in today
Help to give theartsdesk a future!
It all started on 09/09/09. That memorable date, September 9 2009, marked the debut of theartsdesk.com.
It followed some...
Stiletto, Charing Cross Theatre review - new musical excess
That friend you have who hates musicals – probably male, probably straight, probably not seen one since The Sound of...
Apex Predator, Hampstead Theatre review - poor writing turns...
Motherhood is a high stress job. Ask any woman and they will tell you the same: sleepless nights, feeding problems and worry. Lots of worry. Lots...
Album: Elton John and Brandi Carlile - Who Believes in Angel...
Spring may have sprung, but there’s little in life to truly raise the sprits, so this week’s release of Who Believes in Angels? ...
Balanchine: Three Signature Works, Royal Ballet review - exu...
Is the Royal Ballet a “Balanchine company”? The question was posed at a recent Insight evening to Patricia Neary, the tireless dancer...
theartsdesk Q&A: filmmaker Joshua Oppenheimer on his apo...
Joshua Oppenheimer made his name directing two disturbing documentaries, The Act of Killing (2012) and The Look of Silence (2014...
Howard Amos: Russia Starts Here review - East meets West, vi...
Russia Starts Here: Real Lives in the Ruin of Empire, the journalist Howard Amos’ first book, is a prescient and fascinating examination...
DVD/Blu-ray: The Substance
“I knew I wanted all the effects practical and made for real. The movie is about flesh and bones, about women’s bodies.”
Coralie Fargeat,...
A Working Man - Jason Statham deconstructs villains again
The typical Jason Statham movie character – muscular, resourceful, drily humorous – could probably carve an army into mincemeat using a few odds...
Connolly, BBC Philharmonic, Paterson, Bridgewater Hall, Manc...
The BBC Philharmonic took its Saturday night audience on a journey into French sonic luxuriance – in reverse order of historical formation,...